'Nothing like it in any amusement hall!': Opera, audacity and the audience in The Who's Tommy.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 73, doi. 10.1386/smt_00119_1
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- Publication type:
- Article
Works matching IS 17503159 AND DT 2023 AND VI 17 AND IP 2
Results: 6
1
2
Editorial.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 69, doi. 10.1386/smt_00118_2
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- Publication type:
- Article
3
Unfinished Women Cry in No Man's Land While a Bird Dies in a Gilded Cage, Aishah Rahman, directed by Chyna Michele.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 135, doi. 10.1386/smt_00123_5
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- Publication type:
- Article
4
'A little bit naughty': Storytelling and the logotherapeutic process in Matilda the Musical.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 95, doi. 10.1386/smt_00120_1
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- Publication type:
- Article
5
Pick a Pocket or Two, Ethan Mordden (2021).
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 131, doi. 10.1386/smt_00122_5
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- Publication type:
- Article
6
'Honor the source': Race, representation and intellectual property in Jelly's Last Jam.
- Published in:
- Studies in Musical Theatre, 2023, v. 17, n. 2, p. 107, doi. 10.1386/smt_00121_1
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- Publication type:
- Article