To live in light: Historical conversations in Michael John LaChiusa's The Wild Party.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 285, doi. 10.1386/smt.11.3.285_1
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- Publication type:
- Article
Works matching IS 17503159 AND DT 2017 AND VI 11 AND IP 3
Results: 10
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2
What we expect of the performing arts, what the performing arts expects of us: Introduction to the Bruce Kirle Memorial Emerging Scholars Debut Panel 2017.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 281, doi. 10.1386/smt.11.3.281_1
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- Article
3
Books received.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 319, doi. 10.1386/smt.11.3.319_7
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- Article
4
Editorial.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 231, doi. 10.1386/smt.11.3.231_2
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- Article
5
Re-evaluating Oscar Hammerstein's 1930s: His popular and critical success from Viennese Nights (1930) to The Last Time I Saw Paris (1940).
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 247, doi. 10.1386/smt.11.3.247_1
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- Publication type:
- Article
6
Going postal: Collapsing time and space through sung letters in Broadway musicals.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 233, doi. 10.1386/smt.11.3.233_1
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- Publication type:
- Article
7
Commitment in social choreography: Excavating the Martha Graham Dance Company.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 295, doi. 10.1386/smt.11.3.295_1
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- Article
8
Book Reviews.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 311, doi. 10.1386/smt.11.3.311_5
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- Article
9
Développé: Katherine Dunham's diasporic dance.
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- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 303, doi. 10.1386/smt.11.3.303_1
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- Article
10
Just his style: The songs Hugh Martin created for MGM's Meet Me in St. Louis.
- Published in:
- Studies in Musical Theatre, 2017, v. 11, n. 3, p. 269, doi. 10.1386/smt.11.3.269_1
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- Publication type:
- Article