Broomsticks and barricades: Performance, empowerment, and feeling in Wicked and Les Misérables.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 55, doi. 10.1386/smt.10.1.55_1
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- Article
Works matching IS 17503159 AND DT 2016 AND VI 10 AND IP 1
Results: 13
1
2
Book Reviews.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 143, doi. 10.1386/smt.10.1.143_5
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- Article
3
Books Received.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 153, doi. 10.1386/smt.10.1.153_7
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- Article
4
'A Rainbow in Ev'ry Pot': Southern excess, racial liberalism, and living large in Harburg and Lane's Finian's Rainbow.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 117, doi. 10.1386/smt.10.1.117_1
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- Article
5
Embracing excess: The queer feminist power of musical theatre diva roles.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 93, doi. 10.1386/smt.10.1.93_1
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- Article
6
Editorial.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 3, doi. 10.1386/smt.10.1.3_2
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- Article
7
'There's gotta be something better than this': Challenging the role of big emotion in the transition from speech to song.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 133, doi. 10.1386/smt.10.1.133_1
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- Article
8
Little steps: The absurdity of A Chorus Line.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 105, doi. 10.1386/smt.10.1.105_1
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- Article
9
'Only the last song if we let it be': Dancer in the Dark, The Sound of Music and song and dance as traumatic container.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 81, doi. 10.1386/smt.10.1.81_1
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- Article
10
The rock star figure: Authenticity, satire and legacy in Bloody Bloody Andrew Jackson (2006).
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 19, doi. 10.1386/smt.10.1.19_1
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- Article
11
'What's bigger than a standing ovation?': Intimacy and spectacle at the Tony Awards.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 37, doi. 10.1386/smt.10.1.37_1
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- Article
12
What a crescendo - not to be missed: Loudness on the musical stage.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 7, doi. 10.1386/smt.10.1.7_1
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- Article
13
Too big for Broadway?: The limits of historical and theatrical empathy in Parade and The Scottsboro Boys.
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- Studies in Musical Theatre, 2016, v. 10, n. 1, p. 69, doi. 10.1386/smt.10.1.69_1
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- Publication type:
- Article