Fred Astaire's site-specific choreography: High art for the low-art consumer.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 255, doi. 10.1386/smt.9.3.255_1
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- Publication type:
- Article
Works matching IS 17503159 AND DT 2015 AND VI 9 AND IP 3
Results: 9
1
2
Adopting a form for their own ends: Israeli musicals of 1964-1966.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 265, doi. 10.1386/smt.9.3.265_1
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- Article
3
Books Received.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 295, doi. 10.1386/smt.9.3.295_7
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- Article
4
Introduction to the 2015 ATHE Bruce Kirle Memorial Emerging Scholars papers in Music Theater/Dance.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 251, doi. 10.1386/smt.9.3.251_1
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- Article
5
Thomas Adès and Meredith Oakes: The Tempest.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 231, doi. 10.1386/smt.9.3.231_1
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- Article
6
Reviews.
- Published in:
- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 287, doi. 10.1386/smt.9.3.287_5
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- Article
7
The new choreography of Rodgers and Hammerstein's Allegro.
- Published in:
- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 277, doi. 10.1386/smt.9.3.277_1
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- Article
8
Encouraging the 'little guy' to 'shine like the sun': 9 to 5 and women's humour stereotypes.
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- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 215, doi. 10.1386/smt.9.3.215_1
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- Article
9
Editorial.
- Published in:
- Studies in Musical Theatre, 2015, v. 9, n. 3, p. 213, doi. 10.1386/smt.9.3.213_2
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- Publication type:
- Article