Gilding the Guild': Art theatre, the Broadway revue and cultural parody in The Garrick Gaieties (1925-1930).
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 45, doi. 10.1386/smt.7.1.45_1
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- Article
Works matching IS 17503159 AND DT 2013 AND VI 7 AND IP 1
Results: 8
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Reviews.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 113, doi. 10.1386/smt.7.1.113_5
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- Article
3
New Faces of 1952, Your Show of Shows, and the end of the Broadway revue.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 95, doi. 10.1386/smt.7.1.95_1
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- Article
4
I'll Say She Is! (1924): The 'laugh-a-minute revue' that made the Marx Brothers.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 23, doi. 10.1386/smt.7.1.23_1
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- Article
5
New insecurities, new form, new identity - national identity and raciologies in Eightpence a Mile (1913).
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 9, doi. 10.1386/smt.7.1.9_1
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- Article
6
Busby Berkeley, broken rhythms and dance direction on the stage and screen.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 75, doi. 10.1386/smt.7.1.75_1
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- Article
7
The revue: The genre-bending, ever-shifting, spectacular entertainment that was (almost) forgotten.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 3, doi. 10.1386/smt.7.1.3_1
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8
Pins and Needles (1937): Everything in moderation.
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- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 61, doi. 10.1386/smt.7.1.61_1
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- Article