Dionysian reflections upon A Chorus Line.
- Published in:
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 155, doi. 10.1386/smt.4.2.155_1
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- Article
Works matching IS 17503159 AND DT 2010 AND VI 4 AND IP 2
Results: 9
1
2
Engaging an icon: Caroline, or Change and the politics of representation.
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- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 199, doi. 10.1386/smt.4.2.199_1
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- Article
3
'There is an 'I' in 'artist'': dysfunctional collaborations and the doomed 'Pop Musicals' Come (1994) and The Capeman (1998).
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- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 211, doi. 10.1386/smt.4.2.211_1
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- Article
4
Concept meets narrative in Sondheim's Company: Metadrama as a method of analysis.
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- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 171, doi. 10.1386/smt.4.2.171_1
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- Article
5
Books Received.
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- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 237, doi. 10.1386/smt.4.2.237_7
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- Article
6
Reviews.
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- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 227, doi. 10.1386/smt.4.2.227_5
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- Article
7
A dead baby and a scar, but [...] no genitalia in sight. Is Bieito's Jenůfa really a Bieito?
- Published in:
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 141, doi. 10.1386/smt.4.2.141_1
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- Article
8
Editorial.
- Published in:
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 139, doi. 10.1386/smt.4.2.139_2
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- Article
9
Experts without expertise? Findings of a comparative study of American, British and German-language reviews of musicals by Stephen Sondheim and Andrew Lloyd Webber.
- Published in:
- Studies in Musical Theatre, 2010, v. 4, n. 2, p. 185, doi. 10.1386/smt.4.2.185_1
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- Publication type:
- Article