Works matching IS 17429412 AND DT 2000 AND VI 1
Results: 16
Colour Matching the Chameleon.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 129
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Civic Participation Workshops in Sant Adrià de Besòs: A Creative Methodology.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 153
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The Barry Job: Art, Sentiment and Commercialism.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 139
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Window Sills: Art of Locality.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 113
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The Snowflake in Hell and The Baked Alaska Improbability, Intimacy and Change in the Public Realm.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 99
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Art Neighbourhoods, Ports of Vitality.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 79
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Kidnapping the Bijlmer.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 71
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Vistas of the Post - Industrial City.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 59
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Tracing Gazes: Three Aspects of Paris.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 53
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Regeneration or Reparation: Deat Loss & Absence in Anya Gallaccio's Intensities &Surfaces and Forest Floor.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 41
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Memory and Identity in the Urban Landscape: A tale of two Barons.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 27
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Public Art: Between Public and Private.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 19
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Contributors.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 15
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General Introduction.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 11
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Foreword.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 7
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Series Introduction.
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- Advances in Art, Urban Futures, 2000, v. 1, p. 5
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