Kino podzielone. Recenzja książki Andrzeja Gwoździa pt. Kino na biegunach. Filmy niemieckie i ich historie 1949-1991.
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- Panoptikum, 2019, v. 28, n. 21, p. 164, doi. 10.26881/pan.2019.21.10
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Works matching IS 17307775 AND DT 2019 AND VI 28 AND IP 21
Results: 11
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Sztuka performansu po The Artist Is Present. Kontynuacja działań Mariny Abramović w twórczości jej uczniów.
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- Panoptikum, 2019, v. 28, n. 21, p. 149, doi. 10.26881/pan.2019.21.09
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- Article
3
Śnieżna depresja i norweskie podróże do kresu ironii. Reinterpretacje poetyki kina drogi w filmie Białe szaleństwo Rune Denstada Langlo oraz w literackiej twórczości Erlenda Loe.
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- Panoptikum, 2019, v. 28, n. 21, p. 137, doi. 10.26881/pan.2019.21.08
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- Article
4
Polskie, czyli jakie? Kino polskie w oczach odbiorcy brytyjskiego (na wybranych przykładach z lat 2008-2018).
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- Panoptikum, 2019, v. 28, n. 21, p. 118, doi. 10.26881/pan.2019.21.07
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5
Bioethical strategies in the context of bioart.
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- Panoptikum, 2019, v. 28, n. 21, p. 10, doi. 10.26881/pan.2019.21.01
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6
"We understand each other, my friend". The freak show and Victorian medicine in The Elephant Man.
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- Panoptikum, 2019, v. 28, n. 21, p. 81, doi. 10.26881/pan.2019.21.05
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- Article
7
The interactive context of discovering the category of corporeality in a phenomenological approach.
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- Panoptikum, 2019, v. 28, n. 21, p. 65, doi. 10.26881/pan.2019.21.04
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- Article
8
Biometric trails of nonhuman environments. Medical imaging of plants' bodies in bio-artistic projects.
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- Panoptikum, 2019, v. 28, n. 21, p. 46, doi. 10.26881/pan.2019.21.03
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9
Becoming liminal - existence in anti-structure.
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- Panoptikum, 2019, v. 28, n. 21, p. 28, doi. 10.26881/pan.2019.21.02
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- Article
10
Revelations of science: discussing images of prenatal development by Ernst Haeckel and Lennart Nilsson.
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- Panoptikum, 2019, v. 28, n. 21, p. 95, doi. 10.26881/pan.2019.21.06
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11
Editorial.
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- Panoptikum, 2019, v. 28, n. 21, p. 6
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