Works matching IS 16955951 AND DT 2024
Results: 47
Maquinolatría y creatividad poshumana entre futurismo, arte generativo e inteligencia artificial.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.427415
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Movilidades, estética de frontera y arqueología prospectiva en la ciencia ficción cosmopolita de Miguel Llansó: Crumbs y Jesus Shows You the Way to the Highway como anarchivos.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424627
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Overhead modernity: airplanes, skywriting, and heterotopia in the sky.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.427548
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speculative photography an attempt (essay) of making visible (manifesto).
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424946
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Photography as protogeometry.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.425717
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The materiology of junk and scrap.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.426807
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Andean audiotactility: transcultural interfaces elucidating a divergent history of technology.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424656
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How to problematize a border, or: some ongoing notes on transient methodologies.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424935
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Knitted threads of silence: Anatolian stockings as techno-aesthetic tacit media.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424682
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Art, as risky device.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424664
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Frameless scans: on unimages circa 1753 and 2024.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424655
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Resonaciones: sounds vibrating sympathetically into time and space.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.427747
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Inventory of cinematic spaces. A fictional library.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.430836
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Angels and blue brains: aesthetics of knowledge in science and religion.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.426353
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The art world is not perfect. On Man is Not Perfect, 1976 by Miklós Erdély.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424439
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Ren (benevolence), panoramic painting and sensus communis: cosmomedia and political philosophy in late 19th century China.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.427292
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Por una posdramática de la ciencia.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424568
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Artistic intelligence vs. artificial intelligence.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.425712
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Fantasmática y médiums en el taller de los Rodríguez. Aproximaciones a la pervivencia de gestos técnicos en dispositivos culturales del artesanado colombiano.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424539
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The Armenia archive. A Ramon Llull project.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424477
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Carnival Carnivore.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.422950
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Weaving Waves. A platform on text, textile and technology.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.426915
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In the beginning, there was the analogue. An alternative history of the beginnings of computer art.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424662
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Estereoscopía y dialéctica: el pensamiento imagético de Walter Benjamin.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.427536
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Movement-colour: moments in a deep time media epistemology.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.426481
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Summoning the ghosts of the AnArchive.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.424661
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Process of individuation in hybrid ecologies: on the relationship between art, machines and natural systems.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.418893
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Imagined, observed, remembered.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.430413
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Prácticas audiovisuales en el 15M: innovación tecnológica, documental y videoartivismo.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.418083
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The AquaGranda digital community memory: activating climate risk awareness.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417840
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Cuerpo y mirada del investigador con vídeo inmersivo en 360°: estudio de caso exploratorio sobre el artivismo en São Paulo.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417846
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Una aproximación a Viridiana (1961) desde el enfoque económico.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.416009
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NODE “MATERIOLOGY AND VARIANTOLOGY: INVITATION TO DIALOGUE”.
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- Artnodes, 2024, n. 34, p. 1, doi. 10.7238/artnodes.v0i34.431116
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La digitalización del espacio escenográfico en la Fura dels Baus. De la calle al espectáculo digital.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.416516
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Blockchain culture and digital image precariousness. Questioning NFTs as an art preservation strategy.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.416449
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Imagined and liquid reality, dystopia and virtuality in science fiction cinema: Don't Worry Darling, a case study.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.415780
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Narratividad e hipermedialidad en el videojuego de mundo abierto. Una propuesta de análisis del espacio (virtual) narrativo.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417086
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Artivismo mediático y subversión de género en Corea del Sur: la «tecnología de la imaginación» de Siren Eun Young Jung.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417845
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La cultura de segregación en la videocreación orientalista: hacia la cuestión del cuerpo femenino y la geometría de poder en la obra de Shirin Neshat.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417689
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El circuit bending y el hardware hacking como prácticas artísticas en el contexto de la estética de la obsolescencia y el activismo DIY y bricoleur.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417835
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Artivismo y primeros usos tácticos de la red: de la infoguerra a la guerrilla de la comunicación.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417632
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Exploring the intersection of art, technology, and social issues on Paglen's work.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.414417
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Outsmarting the algorithm or leaving the grid through surveillance artivism.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.418372
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Breathe for Ella: artivism, intersectionality and sensing air pollution.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417688
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Content policy and access limitations on commercial neural networks as an incentive to artivism.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.417696
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Epic Sock Puppet Theater: artistic tactics for mitigating online disinformation.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.418111
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An archaeology of media artivism: attempting to draft the history of digital culture for social change.
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- Artnodes, 2024, n. 33, p. 1, doi. 10.7238/artnodes.v0i33.420928
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