The Sing-song Girls of Shanghai: The pioneering work of modern popular fiction.
- Published in:
- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 472, doi. 10.1007/s11702-008-0019-9
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- Publication type:
- Article
Works matching IS 16737318 AND DT 2008 AND VI 2 AND IP 3
Results: 7
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Commercial media and the popular dissemination of printed copies of Ming fiction.
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- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 436, doi. 10.1007/s11702-008-0018-x
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- Article
3
Criticisms on the Ming poetics by poetic circles in the early Qing dynasty.
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- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 404, doi. 10.1007/s11702-008-0017-y
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- Article
4
A retrospect on the evolution of ci poetry style and compositional rules during the Ming and Qing dynasties.
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- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 384, doi. 10.1007/s11702-008-0016-z
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- Article
5
The death of Gao Qi and the change of the literary trend at the turn of the Yuan and Ming dynasties.
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- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 364, doi. 10.1007/s11702-008-0015-0
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- Article
6
Wenhua: A crucial academic resource for Chinese classical criticism.
- Published in:
- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 349, doi. 10.1007/s11702-008-0014-1
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- Article
7
Village people, village music and the theoretical significance of the concept that poetry can harmonize people.
- Published in:
- Frontiers of Literary Studies in China, 2008, v. 2, n. 3, p. 321, doi. 10.1007/s11702-008-0013-2
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- Publication type:
- Article