'We Were All Rushing. Why? Because We Were Preparing to Go to the Movies!'.
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- Film International (16516826), 2015, v. 13, n. 1, p. 20, doi. 10.1386/fiin.13.1.20_1
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- Publication type:
- Article
Works matching IS 16516826 AND DT 2015 AND VI 13 AND IP 1
Results: 14
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Damsels in Distress?
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- Film International (16516826), 2015, v. 13, n. 1, p. 6, doi. 10.1386/fiin.13.1.6_1
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- Article
3
Director Spotlight.
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- Film International (16516826), 2015, v. 13, n. 1, p. 144, doi. 10.1386/fiin.13.1.144_1
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- Article
4
Editorial Issue 71.
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- Film International (16516826), 2015, v. 13, n. 1, p. 4, doi. 10.1386/fiin.13.1.4_2
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- Article
5
Criterion Core.
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- Film International (16516826), 2015, v. 13, n. 1, p. 140, doi. 10.1386/fiin.13.1.140_1
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- Article
6
Parting Words: The Inertia of the Academy Awards.
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- Film International (16516826), 2015, v. 13, n. 1, p. 157, doi. 10.1386/fiin.13.1.157_1
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- Article
7
Film International 72.
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- Film International (16516826), 2015, v. 13, n. 1, p. 160, doi. 10.1386/fiin.13.1.160_1
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- Article
8
Humanist Ethics in John Sayles's Casa de los Babys.
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- Film International (16516826), 2015, v. 13, n. 1, p. 105, doi. 10.1386/fiin.13.1.105_1
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- Article
9
Celluloid Politics.
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- Film International (16516826), 2015, v. 13, n. 1, p. 149, doi. 10.1386/fiin.13.1.149_1
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- Article
10
A Veteran's Next Step: Rolf de Heer on Charlie's Country.
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- Film International (16516826), 2015, v. 13, n. 1, p. 134, doi. 10.1386/fiin.13.1.134_1
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- Article
11
Shades of Activism: Jon Raymond on Night Moves.
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- Film International (16516826), 2015, v. 13, n. 1, p. 122, doi. 10.1386/fiin.13.1.122_1
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- Article
12
Time and Pace: Synchrony in the city of Make Way for Tomorrow.
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- Film International (16516826), 2015, v. 13, n. 1, p. 43, doi. 10.1386/fiin.13.1.43_1
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- Article
13
Filming in Toronto: An interview with Elan Mastai on What If.
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- Film International (16516826), 2015, v. 13, n. 1, p. 128, doi. 10.1386/fiin.13.1.128_1
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- Article
14
Assheton Gorton: A Life in Film.
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- Film International (16516826), 2015, v. 13, n. 1, p. 56, doi. 10.1386/fiin.13.1.56_1
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- Article