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Editorial Issue 22.
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- Film International (16516826), 2006, v. 4, n. 4, p. 4, doi. 10.1386/fiin.4.4.4
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- Article
In Praise of Praise: An essay on Stanley Cavell's Philosophy The Day After Tomorrow.
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- Film International (16516826), 2006, v. 4, n. 4, p. 6, doi. 10.1386/fiin.4.4.6
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Cavell, Altman & Cassavetes.
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- Film International (16516826), 2006, v. 4, n. 4, p. 14, doi. 10.1386/fiin.4.4.14
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The mortgage the merrier: Hollywood comedies of remarriage in the age of domesticity.
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- Film International (16516826), 2006, v. 4, n. 4, p. 21, doi. 10.1386/fiin.4.4.21
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Notes on Ozu's cinematic style.
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- Film International (16516826), 2006, v. 4, n. 4, p. 33, doi. 10.1386/fiin.4.4.33
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Insurmountable in their wake: paradox and ideology in Cavell's title reading of La Grande Illusion.
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- Film International (16516826), 2006, v. 4, n. 4, p. 43, doi. 10.1386/fiin.4.4.43
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- Article
Eloquent objects, mesmerizing commodities in William Wyler's The Heiress.
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- Film International (16516826), 2006, v. 4, n. 4, p. 48, doi. 10.1386/fiin.4.4.48
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Book Reviews: The incredible shrinking murder.
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- Film International (16516826), 2006, v. 4, n. 4, p. 72, doi. 10.1386/fiin.4.4.72
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Magic moments: screen acting from the classical Hollywood era.
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- Film International (16516826), 2006, v. 4, n. 4, p. 74, doi. 10.1386/fiin.4.4.74
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Festival Reviews.
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- Film International (16516826), 2006, v. 4, n. 4, p. 78, doi. 10.1386/fiin.4.4.78
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- Article
'If they have no seats, then let them eat cake!'.
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- Film International (16516826), 2006, v. 4, n. 4, p. 84, doi. 10.1386/fiin.4.4.84
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- Article
People on Sunday (1930) Germany.
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- Film International (16516826), 2006, v. 4, n. 4, p. 69, doi. 10.1386/fiin.4.4.69
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- Article