Replenishing the Odyssey: Margaret Atwood's and John Barth's Postmodern Epics.
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- ELOPE, 2020, v. 17, n. 1, p. 41, doi. 10.4312/elope.17.1.41-55
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Works matching IS 15818918 AND DT 2020 AND VI 17 AND IP 1
Results: 10
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Atwood's Reinventions: So Many Atwoods.
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- ELOPE, 2020, v. 17, n. 1, p. 15, doi. 10.4312/elope.17.1.15-28
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- Article
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Reading a Feminist Epistemology in Margaret Atwood's MaddAddam.
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- ELOPE, 2020, v. 17, n. 1, p. 111, doi. 10.4312/elope.17.1.111-124
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4
Mothers, Daughters, Sisters: The Intergenerational Transmission of Womanhood in Margaret Atwood's The Handmaid's Tale and The Testaments.
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- ELOPE, 2020, v. 17, n. 1, p. 67, doi. 10.4312/elope.17.1.67-85
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- Article
5
Elimination of Gender Equality in Margaret Atwood's The Handmaid's Tale.
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- ELOPE, 2020, v. 17, n. 1, p. 57, doi. 10.4312/elope.17.1.57-66
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6
Atwood in Numbers: A Numerical Approach Comparing the Illustrations in Bones and Murder and The Tent.
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- ELOPE, 2020, v. 17, n. 1, p. 143, doi. 10.4312/elope.17.1.143-158
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- Article
7
Machine Translated Atwood: Utopia or Dystopia?
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- ELOPE, 2020, v. 17, n. 1, p. 125, doi. 10.4312/elope.17.1.125-141
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- Article
8
Othering, Resistance and Recovery in Margaret Atwood's Cat's Eye.
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- ELOPE, 2020, v. 17, n. 1, p. 29, doi. 10.4312/elope.17.1.29-40
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- Article
9
Testimonies in The Testaments by Margaret Atwood: Images of Food in Gilead.
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- ELOPE, 2020, v. 17, n. 1, p. 97, doi. 10.4312/elope.17.1.97-110
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- Article
10
Rewriting Politics, or the Emerging Fourth Wave of Feminism in Margaret Atwood's The Testaments.
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- ELOPE, 2020, v. 17, n. 1, p. 87, doi. 10.4312/elope.17.1.87-96
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- Article