VULNERABILITY, RESISTANCE, DEPENDENCY AND MANIPULATION: THE RECEPTION OF HADES AND PERSEPHONE IN RITA DOVE AND LOUISE GLÜCK.Published in:Odisea, 2023, n. 24, p. 88By:Kichouh Aiadi, SanaePublication type:Article
"UNSEEMLY WOMAN IN A SEEMING MAN": UN ESTUDIO DE LA MASCULINIDAD COMO CONFLICTO EN ROMEO Y JULIETA.Published in:Odisea, 2023, n. 24, p. 128By:Romero-Otero, SaraPublication type:Article
Us & Them: Women Writers' Discourses on Foreignness.Published in:2023By:Jordán Soriano, ÁngelesPublication type:Book Review
"AN EASY ENOUGH LIE": THE THREE FALSE BEGINNINGS IN BRANDON SANDERSON'S THE WAY OF THE KINGS AND THE RENOVATION OF FANTASY.Published in:Odisea, 2023, n. 24, p. 109By:Pedrosa del Caño, CarlosPublication type:Article
PROTESTANTISM AND THE FIGURE OF THE GOVERNESS IN THE BILDUNGSROMAN: THE PROTESTANT CONCEPT OF WORK IN JANE EYRE.Published in:Odisea, 2023, n. 24, p. 67By:Izquierdo Berasaluce, UnaiPublication type:Article
THE BUSINESS OF MARRIAGE IN VIRGINIA WOOLF'S "PHYLLIS AND ROSAMOND" (c. 1906): CONVENTIONAL AND TRANSGRESSIVE SPACES.Published in:Odisea, 2023, n. 24, p. 47By:Hartshorne, Yolanda C.Publication type:Article
POSTCOLONIAL STRANGERS IN LEILA ABOULELA'S THE TRANSLATOR (1999).Published in:Odisea, 2023, n. 24, p. 33By:Díaz, María FernándezPublication type:Article
THE USE OF METAFICTION TO OVERCOME TRAUMA: IAN MCEWAN'S SWEET TOOTH (2012) AND THE REVENGE NARRATIVE.Published in:Odisea, 2023, n. 24, p. 16By:Arbués, CristinaPublication type:Article
IS THERE A WAY OUT? PHYSICAL AND STRUCTURAL PROSTITUTION IN THE DYSTOPIAN WORLD OF BLACK MIRROR'S EPISODE "FIFTEEN MILLION MERITS".Published in:Odisea, 2023, n. 24, p. 1By:Adán Hernández, Elsa;López Fuentes, Ana VirginiaPublication type:Article