Works matching IS 15660958 AND DT 2017 AND VI 16
Results: 24
CHAPTER 20: Subjectivity Unbound: Music, Language, Culture [2003/2012].
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- Word & Music Studies, 2017, v. 16, p. 451, doi. 10.1163/9789004342132_021
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- Article
CHAPTER 19: Tolstoy's Beethoven, Beethoven's Tolstoy: The Kreutzer Sonata [1997/2006].
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- Word & Music Studies, 2017, v. 16, p. 429, doi. 10.1163/9789004342132_020
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CHAPTER 18: The Strange Case of Beethoven's Coriolan: Romantic Aesthetics, Modern Subjectivity, and the Cult of Shakespeare [1995].
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- Word & Music Studies, 2017, v. 16, p. 405, doi. 10.1163/9789004342132_019
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- Article
CHAPTER 17: Modern Madrigalisms: Elliott Carter and the Aesthetics of Art Song [2014].
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- Word & Music Studies, 2017, v. 16, p. 394, doi. 10.1163/9789004342132_018
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- Article
CHAPTER 16: The Great American Opera: Klinghoffer, Streetcar, and the Exception [2007].
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- Word & Music Studies, 2017, v. 16, p. 378, doi. 10.1163/9789004342132_017
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- Article
CHAPTER 15: The Talking Wound and the Foolish Question: Symbolization in Parsifal [2006].
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- Word & Music Studies, 2017, v. 16, p. 353, doi. 10.1163/9789004342132_016
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- Article
CHAPTER 14: Wagner's Gold Standard: Tannhäuser and the General Equivalent [2010].
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- Word & Music Studies, 2017, v. 16, p. 329, doi. 10.1163/9789004342132_015
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- Article
CHAPTER 13: Recalling the Sublime: The Logic of Creation in Haydn's Creation* [2009].
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- Word & Music Studies, 2017, v. 16, p. 304, doi. 10.1163/9789004342132_014
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- Article
CHAPTER 12: "Longindyingcall": of Music, Modernity, and the Sirens [2006].
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- Word & Music Studies, 2017, v. 16, p. 283, doi. 10.1163/9789004342132_013
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- Article
CHAPTER 11: Murderous Women in German Opera [2008].
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- Word & Music Studies, 2017, v. 16, p. 269, doi. 10.1163/9789004342132_012
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- Article
CHAPTER 10: Like Falling Leaves: The Erotics of Mourning in Four Drum-Taps Settings [2002].
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- Word & Music Studies, 2017, v. 16, p. 248, doi. 10.1163/9789004342132_011
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- Article
CHAPTER 9: The Harem Threshold: Turkish Music and Greek Love in Beethoven's "Ode to Joy" [1998].
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- Word & Music Studies, 2017, v. 16, p. 229, doi. 10.1163/9789004342132_010
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- Article
CHAPTER 8: "Little Pearl Teardrops": Schubert, Schumann, and the Tremulous Body of Romantic Song [2002].
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- Word & Music Studies, 2017, v. 16, p. 207, doi. 10.1163/9789004342132_009
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- Article
CHAPTER 7: Recognizing Schubert: Musical Subjectivity, Cultural Change, and Jane Campion's The Portrait of a Lady [2002].
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- Word & Music Studies, 2017, v. 16, p. 178, doi. 10.1163/9789004342132_008
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- Article
CHAPTER 6: Hugo Wolf: Subjectivity in the Fin-de-Siècle Lied [1996/2009].
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- Word & Music Studies, 2017, v. 16, p. 146, doi. 10.1163/9789004342132_007
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- Article
CHAPTER 5: Decadence and Desire: The Wilhelm Meister Songs of Wolf and Schubert [1987].
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- Word & Music Studies, 2017, v. 16, p. 126, doi. 10.1163/9789004342132_006
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- Article
CHAPTER 4: "Syringa": John Ashbery and Elliott Carter [1980/1984].
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- Word & Music Studies, 2017, v. 16, p. 105, doi. 10.1163/9789004342132_005
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- Article
CHAPTER 3: Performance and Social Meaning in the Lied: Schubert's Erster Verlust [1994].
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- Word & Music Studies, 2017, v. 16, p. 86, doi. 10.1163/9789004342132_004
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- Article
CHAPTER 2: The Schubert Lied: Romantic Form and Romantic Consciousness [1986/2016].
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- Word & Music Studies, 2017, v. 16, p. 52, doi. 10.1163/9789004342132_003
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- Article
CHAPTER 1: Song [1984/2016].
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- Word & Music Studies, 2017, v. 16, p. 1, doi. 10.1163/9789004342132_002
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Acknowledgments.
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- Word & Music Studies, 2017, v. 16, p. xviii
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Preface.
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- Word & Music Studies, 2017, v. 16, p. xiii
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Foreword.
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- Word & Music Studies, 2017, v. 16, p. vii
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Contents.
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- 2017
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- Table of Contents