Works matching IS 15660958 AND DT 2002 AND VI 4 AND IP 1
Results: 20
"Wozu [Lieder] in dürftiger Zeit" [1958]?: Britten's Sechs Hölderlin-Fragmente as a "Literary Song Cycle".
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- Word & Music Studies, 2002, v. 4, n. 1, p. 101
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1933 and the Fiasco of Cultural Identities in Music.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 181
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Thomas Mann at the Opera.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 159
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National Opera Bearing Evidence of Swedish National and Nordic Cultural Identity: The Case of Wilhelm Peterson-Berger's Viking Opera Arnljot.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 245
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Rock Opera - Opera on the Rocks?
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- Word & Music Studies, 2002, v. 4, n. 1, p. 299
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Intermediality Revisited: Reflections on Word and Music Relations in the Context of a General Typology of Intermediality.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 13
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On the Meaning of 'Musical' in Proust.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 143
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Opera and the Imagined Nation: Weber's Der Freischütz, Schinkel's Neues Schauspielhaus and the Politics of German National Identity.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 217
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Masterminding Word and Music Studies: A Tribute to Steven Paul Scher.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 3
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Notes on the Contributors.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 317
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Introduction.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 7
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Metaphor and Methodology in Word and Music Studies.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 49
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Mignon in Nineteenth-Century Song: Text, Context, and Intertext.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 123
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Arne's Paradox: National Opera in Eighteenth-Century Britain.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 195
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'A Comfortable Society': The 1950s and Opera in Australia.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 277
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Der Rosenkavalier and the Idea of Habsburg Austria.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 263
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Baudelaire, Wagner, Mallarmé: Romantic Aesthetics and the Word-Tone Dichotomy.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 69
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Signs Taken for Wonders: Words, Music, and Performativity.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 35
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Modernism, Melocentrism and Literary History The Case of The Waste Land.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 85
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Guillaume Tell in French Opera: from Grétry to Rossini.
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- Word & Music Studies, 2002, v. 4, n. 1, p. 229
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- Article