Works matching IS 15595749 AND DT 2019 AND VI 14 AND IP 3/4
Results: 10
Fame, Obscurity and Power Laws in Music History.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 186, doi. 10.18061/emr.v14i3-4.7003
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- Article
What is a "Lament," Really?: A Commentary on Nicholas Shea's "Descending Bass Schemata and Negative Emotion in Western Song".
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 182, doi. 10.18061/emr.v14i3-4.7570
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- Article
Descending Bass Schemata and Negative Emotion in Western Song.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 167, doi. 10.18061/emr.v14i3-4.6790
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- Article
Commentary on Shaffer et al.: A cluster analysis of harmony in the McGill Billboard dataset.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 163, doi. 10.18061/emr.v14i3-4.7657
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- Article
A cluster analysis of harmony in the McGill Billboard dataset.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 146, doi. 10.18061/emr.v14i3-4.5576
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- Article
Commentary on De Souza and Lokan (2019).
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 144, doi. 10.18061/emr.v14i3-4.7568
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- Article
Hypermetrical Irregularity in Sonata Form: A Corpus Study.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 138, doi. 10.18061/emr.v14i3-4.6906
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- Article
Commentary on Gilad Rabinovitch's "Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode".
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 135, doi. 10.18061/emr.v14i3-4.7571
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- Article
Unplayed Galant Melodies, the Ubiquity of the Rarest Interval, and the Heyday of the Major Mode.
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- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 90, doi. 10.18061/emr.v14i3-4.6070
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- Article
Editor's Note.
- Published in:
- Empirical Musicology Review, 2019, v. 14, n. 3/4, p. 89, doi. 10.18061/emr.v14i3-4.7663
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- Article