The Performativity of Female Power and Public Participation through Elizabethan Royal Progresses.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 118
- By:
- Publication type:
- Article
Works matching IS 15572935 AND DT 2022 AND VI 18 AND IP 1
Results: 8
1
2
‘They’re Performing Again’: Framing Moral Outrage in Arts Funding Protests.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 176
- By:
- Publication type:
- Article
3
Performing the Early Modern Past Onscreen: History and the Politics of the Present.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 100
- By:
- Publication type:
- Article
4
The Performance-Politics Nexus and the Double Helix: Locating Performance and Politics, Power and Protest.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 1
- By:
- Publication type:
- Article
5
Performing Debate about Power and Protest at the Amsterdam Municipal Theatre in 1650.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 46
- By:
- Publication type:
- Article
6
“A Right Down Regular Queen”: Performance and Monarchy in Gilbert and Sullivan’ s The Gondoliers.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 74
- By:
- Publication type:
- Article
7
‘Invasive’ Writing: Exploring Subjectivity, Performance and Politics in the Art of Jiří Kovanda.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 207
- By:
- Publication type:
- Article
8
Carnival as a Practice of the Possible: Belfast, the Beat, and the Politics of Civic Celebration.
- Published in:
- Liminalities, 2022, v. 18, n. 1, p. 23
- By:
- Publication type:
- Article