LOS FANTASMAS DEL DIEZ: NARRANDO A MARADONA EN LA LITERATURA FUTBOLERA ARGENTINA.
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- Latin Americanist, 2025, v. 69, n. 1, p. 48, doi. 10.1353/tla.2025.a957171
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Works matching IS 15572021 AND DT 2025 AND VI 69 AND IP 1
Results: 9
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"PALABRAS OFENSIVAS QUE SE CRUZAN": THE PRESS, THE PUBLIC SPHERE, AND DON PORFIRIO IN THE WORK OF MANUEL GUTIÉRREZ NÁJERA.
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- Latin Americanist, 2025, v. 69, n. 1, p. 29, doi. 10.1353/tla.2025.a957170
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- Article
3
CROWNED IN PARADOX: CONTESTED SYMBOLISM AND INSTITUTIONAL CONTINUITY IN SOR MARÍA JOSEPHA LINA'S CROWNED-NUN PORTRAIT.
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- Latin Americanist, 2025, v. 69, n. 1, p. 139, doi. 10.1353/tla.2025.a957176
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- Article
4
FEMICIDE, GENDER IDENTITY, AND THE LIMITS OF FEMINIST SOLIDARITY IN CLAUDIA PIÑEIRO'S TUYA AND EL TIEMPO DE LAS MOSCAS.
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- Latin Americanist, 2025, v. 69, n. 1, p. 87, doi. 10.1353/tla.2025.a957173
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- Article
5
OPEN SKY: MAPPING MEXICAN EXTRACTIVISM IN THE ART OF JAIME COLÍN.
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- Latin Americanist, 2025, v. 69, n. 1, p. 65, doi. 10.1353/tla.2025.a957172
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- Article
6
BLANQUITUD, GRAFITI Y CIUDAD: UNA REFLEXIÓN SOBRE ALIENACIÓN Y RESISTENCIA EN LA CIUDAD BLANCA DE COLOMBIA.
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- Latin Americanist, 2025, v. 69, n. 1, p. 9, doi. 10.1353/tla.2025.a957169
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- Article
7
ONCE AGAIN MALINCHE: A RETURN TO THE MYTH OF THE CONQUEST AS A LOVE STORY IN MAKING MALINCHE: A DOCUMENTARY BY NACHO CANO.
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- Latin Americanist, 2025, v. 69, n. 1, p. 128, doi. 10.1353/tla.2025.a957175
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- Article
8
ALLEGRO MODERATO: MUSIC, MEMORY, AND SELF-REFLECTION IN SANTIAGO BY JOÃO MOREIRA SALLES.
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- Latin Americanist, 2025, v. 69, n. 1, p. 107, doi. 10.1353/tla.2025.a957174
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- Article
9
NOTES FROM THE EDITOR.
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- Latin Americanist, 2025, v. 69, n. 1, p. 7, doi. 10.1353/tla.2025.a957168
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- Article