Cohesion Without Coherence: Artificial Intelligence and Narrative Form.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264658
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Works matching IS 15519627 AND DT 2024 AND VI 14 AND IP 2
Results: 11
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Litterae ex Machina: AI Going Down the Rabbit Hole.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264656
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- Article
3
Songs of the Refugees.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264655
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- Article
4
The Cousin.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264649
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- Article
5
Critical Reflection: On The English Translation of Nava Ebrahimi’s The Cousin.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264647
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6
I was received by the city as I stepped into the world again.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264657
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7
Narratives and Counternarratives of German Borderscapes: in Olivia Wenzel‘s 1000 Serpentinen Angst.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264642
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8
“A Second Attack”.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264653
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- Article
9
“With whose blood were my eyes crafted?” Critical Concepts of Seeing, Knowing, and Remembering in Philip Scheffner’s and Merle Kröger’s Havarie (2016).
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264645
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10
Translator’s Preface to “A Second Attack“.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264651
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11
“Liebe zum Wort ist immer Unbescheidenheit”: Translating Irmgard Keun’s Exile Poetry Songs of the Refugees.
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- Transit, 2024, v. 14, n. 2, p. 1, doi. 10.5070/T714264654
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