No Longer Simply Black and White: Adaptation and the Representation of Female Vulnerability in Balzac's Le Nègre.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 78By:Cheyne, MichellePublication type:Article
Le Mélodrame au service de l'idéologie en France et en Russie soviétique.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 64By:Przybos, JuliaPublication type:Article
Excluded from Paradise: Race, Romance, and Haiti in the Colonial Novels of Fanny Reybaud.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 49By:Curtis, Lesley S.Publication type:Article
Revisiting Mérimée in Performance / Revising the Canon of French Romantic Theater.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 25By:McCready, SusanPublication type:Article
Le Théâtre du Panorama-Dramatique, un laboratoire théâtral sous la Restauration.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 35By:Bara, OlivierPublication type:Article
The Black Aristocrat in Ourika: Outliving an Idea.Published in:Lingua Romana, 2012, v. 11, n. 1, p. 9By:Prasad, PratimaPublication type:Article