My Father is a Book: A Memoir of Bernard Malamud.Published in:2008By:Salzberg, JoelPublication type:Book Review
Roth on Malamud: From The Ghost Writer to a Post-Mortem.Published in:2008By:Avery, EvelynPublication type:Literary Criticism
The Naiveté of Malamud's Calvin Cohn and Roth's Seymour "Swede" Levov: Comic, Ironic, or Tragic?Published in:2008By:Safer, Elaine B.Publication type:Literary Criticism
Wrestling with the Angel and the Law, or the Critique of Identity: The Demjanjuk Trial, Operation Shylock: A Confession, and "Angel Levine".Published in:2008By:Alphandary, IditPublication type:Literary Criticism
Black-Jewish Doubling in The Tenants and The Human Stain.Published in:2008By:Jaffe-Foger, MiriamPublication type:Literary Criticism
When in Rome: Philip Roth's Portnoy's Complaint and Bernard Malamud's Pictures of Fidelman.Published in:2008By:Gordon, AndrewPublication type:Literary Criticism
"The Artifice of Eternity": The Nude as Topos in Bernard Malamud's "Naked Nude" and Philip Roth's The Dying Animal.Published in:2008By:Salzberg, JoelPublication type:Literary Criticism
Imagining the Perverse: Bernard Malamud's The Fixer and Philip Roth's The Plot Against America.Published in:2008By:Salzberg, JoelPublication type:Literary Criticism
Mentoring American Jews in Fiction by Bernard Malamud and Philip Roth.Published in:2008By:Kremer, S. LillianPublication type:Literary Criticism
Editor's Note.Published in:Philip Roth Studies, 2008, v. 4, n. 1, p. 1By:Royal, Derek ParkerPublication type:Article