Armand Guillaumin, Nature-morte à la marmite, Galerie de la Béraudière, Brussels, Belgium.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.8
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- Article
Works matching IS 15431002 AND DT 2016 AND VI 15 AND IP 3
Results: 7
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Rodin’s Reputation in Great Britain: The Neglected Role of Alphonse Legros.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.7
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- Article
3
William Merritt Chase’s Cosmopolitan Eclecticism.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.6
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- Article
4
Landscape Imagery in Popular Representations of African American Soldiers during the Civil War.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.5
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- Article
5
Pink and the Fancy Gal: White Slavery, the Abolitionists’ Crusade, and the Painter’s Canvas.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.4
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- Article
6
Empowering American Women Artists: The Travel Writings of May Alcott Nieriker.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.3
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- Article
7
“Lombroso Transformed Into Painting”: Art, Criminology, and the Re-invention of the Spanish Gypsy.
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- Nineteenth-Century Art Worldwide, 2016, v. 15, n. 3, p. 1, doi. 10.29411/ncaw.2016.15.3.2
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- Article