“Is there any record of any two that loved better than we do?”: Male Friendship in The Winter’s Tale and The Two Noble Kinsmen.Published in:Journal of the Wooden O, 2022, v. 22, p. 98By:Buescher, FabiaPublication type:Article
ACTING SHAKESPEARE: A Roundtable Discussion with Artists from the Utah Shakespeare Festival’s 2022 Production of All’s Well That Ends Well.Published in:Journal of the Wooden O, 2022, v. 22, p. 79By:Smith-Bernstein, IsabelPublication type:Article
Possible Impossibilities: Female-Female Desire in Early Modern English Drama.Published in:Journal of the Wooden O, 2022, v. 22, p. 65By:Mahaffy, CaitlinPublication type:Article
The Traumatic Stress of Revenge and War in Hamlet and Stephan Wolfert’s Cry Havoc!Published in:Journal of the Wooden O, 2022, v. 22, p. 51By:Gottlieb, Christine M.Publication type:Article
Shakespeare’s Racial Destiny: Tragic Whiteness and the Spirit-Savage Binary in Edwin Booth’s Hamlet and Othello.Published in:Journal of the Wooden O, 2022, v. 22, p. 19By:Lance, TeddyPublication type:Article
Shakespeare’s Boy Actors and the Ideal of White Femininity.Published in:Journal of the Wooden O, 2022, v. 22, p. 1By:Vaughan, Virginia MasonPublication type:Article