A Stranger to His State: Prospero's Isolation through Art.Published in:Journal of the Wooden O, 2018, v. 18, p. 118By:Chambers, Sarah J. L.Publication type:Article
ACTING SHAKESPEARE: A Roundtable Discussion with Artists from the Utah Shakespeare Festival's 2018 Production of The Merchant of Venice.Published in:2018By:McPherson, KatePublication type:Proceeding
The Counterfeit Trap in Shakespeare's Comedies: Twelfth Night, The Taming of the Shrew, and Much Ado About Nothing.Published in:2018By:Wells, JanePublication type:Literary Criticism
"Patens of bright gold" in "this muddy vesture of decay": Jessica's Name as Shakespeare's Paradoxical Engagement with the Other in The Merchant of Venice.Published in:Journal of the Wooden O, 2018, v. 18, p. 51By:Kumamoto, Chikako D.Publication type:Article
The Problematic Gaze in The Merchant of Venice.Published in:2018By:Hartwig, David W.Publication type:Literary Criticism
The Consistency of the Context: Texts and Contexts of the Merry Wives of Windsor.Published in:2018By:Forse, James H.Publication type:Literary Criticism
Richard's Body Politic: Disability and Ability in Shakespeare's Histories.Published in:Journal of the Wooden O, 2018, v. 18, p. 1By:Bischoff, SarahPublication type:Article