Queering Mercutio: Baz Luhrmann's Textually Inaccurate Take on Romeo's Best Friend.Published in:2014By:Brush, Nicholas A.Publication type:Film/TV Criticism and Review
ACTING SHAKESPEARE: A Roundtable Discussion with Artists from the Utah Shakespeare Festival's 2015 Production of King Lear.Published in:2014By:Bahr, Michael DonPublication type:Proceeding
Birthing Death: A Reconsideration of the Roles of Power, Politics and the Domestic in Macbeth.Published in:2014By:Abdalla, LailaPublication type:Literary Criticism
A Tale of Two Shrews: Recovering the Repertory of the Lord Pembroke's Players.Published in:Journal of the Wooden O, 2014, v. 14/15, p. 84By:Tavares, Elizabeth E.Publication type:Article
#King Lear: Shakespeare's Most Contemporary Play.Published in:2014By:Ross, AdenPublication type:Literary Criticism
Securing Permanent Power: The Sexism of Self-Otherization in Shakespearean Plays.Published in:2014By:Ritchie, ShannonPublication type:Literary Criticism
Staging the Alphabet in Shakespeare's Comedies.Published in:Journal of the Wooden O, 2014, v. 14/15, p. 21By:Boeckeler, Erika MaryPublication type:Article
The Filial Dagger: The Case of Hal and Henry IV in 1 & 2 Henry IV and The Famovs Victories.Published in:Journal of the Wooden O, 2014, v. 14/15, p. 67By:Bezio, Kristin M. S.Publication type:Article