Professional Notes and Research Sources.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 258, doi. 10.2979/blackcamera.11.2.0258
- Publication type:
- Article
Works matching IS 15363155 AND DT 2020 AND VI 11 AND IP 2
Results: 19
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Submission Guidelines.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 265, doi. 10.2979/blackcamera.11.2.0265
- Publication type:
- Article
3
Updated Deadline: Contemporary Cuban Cinema.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 263, doi. 10.2979/blackcamera.11.2.0263
- Publication type:
- Article
4
South African Cinema 1896–2010.
- Published in:
- 2020
- By:
- Publication type:
- Book Review
5
I. "Black is..." and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture<sup> 1 </sup>.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 240
- By:
- Publication type:
- Article
6
African Women, Cinema, and Leadership: Empowerment, Mentorship, and Role-Modeling.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 222, doi. 10.2979/blackcamera.11.2.11
- By:
- Publication type:
- Article
7
Theorizing Globalization in Ethiopia's Movie Industry.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 60, doi. 10.2979/blackcamera.11.2.04
- By:
- Publication type:
- Article
8
Privileging Other Writings: Interview with Alain Gomis at the Carthage Film Festival 2019, Tunis.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 216, doi. 10.2979/blackcamera.11.2.10
- By:
- Publication type:
- Article
9
Mother Myths: Cinematic Representation of Eurocentric Diffusion in Losing Isaiah.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 158, doi. 10.2979/blackcamera.11.2.08
- By:
- Publication type:
- Article
10
Diasporic Communion and Textual Exchange in Beyoncé's Lemonade and Julie Dash's Daughters of the Dust.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 130, doi. 10.2979/blackcamera.11.2.07
- By:
- Publication type:
- Article
11
A Call from Inside the House: Broadcasting the Black Audio Film Collective's Postcolonial Critiques on Channel 4.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 106, doi. 10.2979/blackcamera.11.2.06
- By:
- Publication type:
- Article
12
Locating Nollywood Film Music at the Intersection of Individualism and a Commodified Identity.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 85, doi. 10.2979/blackcamera.11.2.05
- By:
- Publication type:
- Article
13
Boots Riley on Sorry to Bother You and the Matter of the "Good Fight".
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 176, doi. 10.2979/blackcamera.11.2.09
- By:
- Publication type:
- Article
14
Complex Realism: Paulin Soumanou Vieyra and the Emergence of West African Documentary Film.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 32, doi. 10.2979/blackcamera.11.2.03
- By:
- Publication type:
- Article
15
White Supremacy, "Colored-ness," and Queerness in Oliver Hermanus's Skoonheid / Beauty.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 9, doi. 10.2979/blackcamera.11.2.02
- By:
- Publication type:
- Article
16
Edited Volume on Contemporary Black Hollywood.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 7, doi. 10.2979/blackcamera.11.2.0007
- Publication type:
- Article
17
Contemporary Black Horror.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 5, doi. 10.2979/blackcamera.11.2.0005
- Publication type:
- Article
18
BlacKkKlansman (2018): On the Right Side of History.
- Published in:
- Black Camera: The New Series, 2020, v. 11, n. 2, p. 3, doi. 10.2979/blackcamera.11.2.0003
- Publication type:
- Article
19
Editor's Notes.
- Published in:
- 2020
- Publication type:
- Editorial