Submission Guidelines.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 483, doi. 10.2979/blackcamera.9.2.0483
- Publication type:
- Article
Works matching IS 15363155 AND DT 2018 AND VI 9 AND IP 2
Results: 34
1
2
Professional Notes and Research Sources.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 481, doi. 10.2979/blackcamera.9.2.0481
- Publication type:
- Article
3
Remembering Djibril Diop Mambéty on the 20th Anniversary of His Death.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 477, doi. 10.2979/blackcamera.9.2.30
- By:
- Publication type:
- Article
4
Onscreen Narratives, Offscreen Lives: African Women Inscribing the Self.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 460, doi. 10.2979/blackcamera.9.2.29
- By:
- Publication type:
- Article
5
Ile Courts 2017: From Multiculturalism to Interculturality.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 453, doi. 10.2979/blackcamera.9.2.28
- By:
- Publication type:
- Article
6
<italic>Ouvrir la voix (Speak up)</italic> by Amandine Gay, or the Necessity of Afro-Feminism.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 450, doi. 10.2979/blackcamera.9.2.27
- By:
- Publication type:
- Article
7
Joseph Gaï Ramaka and Nicolas Sawalo Cissé Promote Change Through Cinema: Representations of Flooding and Trash in the Margins of Dakar.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 427, doi. 10.2979/blackcamera.9.2.26
- By:
- Publication type:
- Article
8
Unsilencing History: Reclaiming African Cultural Heritage in <italic>Kemtiyu—Séex Anta</italic>.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 414, doi. 10.2979/blackcamera.9.2.25
- By:
- Publication type:
- Article
9
See the Sky: Subjectivity and Social Meaning in Adams Sie’s Filmmaking.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 391, doi. 10.2979/blackcamera.9.2.24
- By:
- Publication type:
- Article
10
Displacement and the Quest for Identity in Alain Gomis’s Cinema.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 360, doi. 10.2979/blackcamera.9.2.23
- By:
- Publication type:
- Article
11
A Critical and Deeply Personal Reflection: Malick Aw on Cinema in Senegal Today.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 349, doi. 10.2979/blackcamera.9.2.22
- By:
- Publication type:
- Article
12
Forging a New Path: Plurality, Social Change, and Innovation in Contemporary Senegalese Cinema.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 333, doi. 10.2979/blackcamera.9.2.21
- By:
- Publication type:
- Article
13
<italic>Westbury, Plek Van Hoop</italic> and <italic>Waiting for Valdez</italic>: Self-Representation, Memory and Coloured Identity in Westbury, Johannesburg.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 313, doi. 10.2979/blackcamera.9.2.20
- By:
- Publication type:
- Article
14
Hearing the Difference: Sexuality, Xenophobia, and South African Melodrama<sup> 1 </sup>.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 295, doi. 10.2979/blackcamera.9.2.19
- By:
- Publication type:
- Article
15
Fraught Starts, Fragmented Twists, and Forged Endings: (Re)Imagining and (Re)Imaging Black Womanhood in <italic>Zulu Love Letter</italic> and <italic>Yesterday</italic>.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 277, doi. 10.2979/blackcamera.9.2.18
- By:
- Publication type:
- Article
16
<italic>The Tailored Suit</italic>: Re-Membering and Gendering Can Themba’s “The Suit”<sup> 1 </sup>.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
17
Geographies of the Black African Masculine in <italic>Tsotsi</italic> and <italic>The Wooden Camera</italic>.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 235, doi. 10.2979/blackcamera.9.2.16
- By:
- Publication type:
- Article
18
Transnational Production, International Policy, and South African Cinema.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 216, doi. 10.2979/blackcamera.9.2.15
- By:
- Publication type:
- Article
19
Traversing the Cinemascape of Contemporary South Africa: A Peripatetic Journey<sup> 1 </sup>.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 197, doi. 10.2979/blackcamera.9.2.14
- By:
- Publication type:
- Article
20
Mixing It Up: New Audiovisual Cultures in South Africa.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 177, doi. 10.2979/blackcamera.9.2.13
- By:
- Publication type:
- Article
21
Cinema in Postapartheid South Africa: New Perspectives.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 169, doi. 10.2979/blackcamera.9.2.12
- By:
- Publication type:
- Article
22
Black Lives and Justice with the Archive: A Call to Action.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 161, doi. 10.2979/blackcamera.9.2.11
- By:
- Publication type:
- Article
23
Critical Surveillance Literacy in Social Media: Interrogating Black Death and Dying Online.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 147, doi. 10.2979/blackcamera.9.2.10
- By:
- Publication type:
- Article
24
Bio-Work in the Blacking Factory: Police Videos and the Ethics of Seeing and Being Seen.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 132, doi. 10.2979/blackcamera.9.2.09
- By:
- Publication type:
- Article
25
“What Now?”: The Wailing Black Woman, Grief, and Difference.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 110, doi. 10.2979/blackcamera.9.2.08
- By:
- Publication type:
- Article
26
“Keep Runnin’ Bro”: Carrie Mae Weems and the Visual Act of Refusal.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 82, doi. 10.2979/blackcamera.9.2.07
- By:
- Publication type:
- Article
27
Introduction: Black Images Matter: Contextualizing Images of Racialized Police Violence.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 76, doi. 10.2979/blackcamera.9.2.06
- By:
- Publication type:
- Article
28
Carlton Moss and African American Cultural Emancipation.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 52, doi. 10.2979/blackcamera.9.2.05
- By:
- Publication type:
- Article
29
The Sounds of War in <italic>Ashes and Embers</italic>: Race, Trauma, and Dislocation.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
30
“By Any Means Necessary” A Neoliberal Sound Byte? The Memory of Malcolm X in the 1990s CBS Documentary <italic>Malcolm X</italic>: The Real Story.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 10, doi. 10.2979/blackcamera.9.2.03
- By:
- Publication type:
- Article
31
Caribbean Cinema as Cross-Border Dialogue.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 8, doi. 10.2979/blackcamera.9.2.0008
- Publication type:
- Article
32
New York Filmmakers.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 6, doi. 10.2979/blackcamera.9.2.0006
- Publication type:
- Article
33
Editor’s Notes.
- Published in:
- Black Camera: The New Series, 2018, v. 9, n. 2, p. 4, doi. 10.2979/blackcamera.9.2.02
- Publication type:
- Article
34
Chuck Kleinhans 1942–2017: A Tribute<sup> * </sup>.
- Published in:
- 2018
- By:
- Publication type:
- Obituary