Works matching IS 15363155 AND DT 2014 AND VI 6 AND IP 1
Results: 23
'We need to think again from the beginning!': Interview with Erez Pery about Sderot, Last Exit, and the School of Sound and Screen Arts at Sappir College, Israel.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 215, doi. 10.2979/blackcamera.6.1.215
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- Article
Farida Benlyazid and Juanita Narboni: Two Women from Tangier.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 124, doi. 10.2979/blackcamera.6.1.124
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- Article
Hip Hop Africa: New African Music in a Globalizing World.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 228, doi. 10.2979/blackcamera.6.1.228
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- Article
NOTES ON CONTRIBUTORS.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 237, doi. 10.2979/blackcamera.6.1.237
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- Article
Sderot, seconde classe / Sderot, Last Exit.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 219, doi. 10.2979/blackcamera.6.1.219
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- Article
Conversations with Ava DuVernay-'A Call to Action': Organizing Principles of an Activist Cinematic Practice.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 57, doi. 10.2979/blackcamera.6.1.57
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- Article
The Algerian War: Memory through Cinema.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 96, doi. 10.2979/blackcamera.6.1.96
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- Article
Cassava Westerns: Ways of Watching Abderrahmane Sissako.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 154, doi. 10.2979/blackcamera.6.1.154
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- Article
Rethinking the Diaspora through the Legacy of Slavery in Rachid Bouchareb's Little Senegal.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 139, doi. 10.2979/blackcamera.6.1.139
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- Article
Introduction: Postcolonial Migration Stories on Screen.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 92, doi. 10.2979/blackcamera.6.1.92
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- Article
How to Get to Barcelona or Die Trying: Postcolonial Poverty and Migration in Moussa Touré's La Pirogue.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 178, doi. 10.2979/blackcamera.6.1.178
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- Article
Django Unchained.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 4, doi. 10.2979/blackcamera.6.1.4
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- Article
Cinema as Political Activism: Contemporary Meanings in The Spook Who Sat by the Door.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 5, doi. 10.2979/blackcamera.6.1.5
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- Article
PROFESSIONAL NOTES AND RESEARCH RESOURCES.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 236, doi. 10.2979/blackcamera.6.1.236
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- Article
Women on the Algerian Art Scene: Interrogating the Postcolonial Gaze through Documentary and Video Art.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 193, doi. 10.2979/blackcamera.6.1.193
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- Article
Ici on noie les Algériens: 17 Octobre 1961 / Here We Drown Algerians: October 17, 1961.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 220, doi. 10.2979/blackcamera.6.1.220
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- Article
Charles Burnett's Dialogic Aesthetics: My Brother's Wedding as a Bridge between Killer of Sheep and To Sleep with Anger.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 34, doi. 10.2979/blackcamera.6.1.34
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- Article
CALL FOR SUBMISSIONS.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 241, doi. 10.2979/blackcamera.6.1.241
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- Article
Editor's Notes.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 1, doi. 10.2979/blackcamera.6.1.1
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- Article
Sur la planche / On the Edge.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 223, doi. 10.2979/blackcamera.6.1.223
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- Article
News from the Black Film Center/Archive.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 232, doi. 10.2979/blackcamera.6.1.232
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- Article
The Films of Ousmane Sembène: Discourse, Politics, and Culture.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 225, doi. 10.2979/blackcamera.6.1.225
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- Article
Looking Elsewhere to Film and Capture Life: Transnational Journeys, Nomadism, and Cultural Métissage in Tony Gatlif's Cinema.
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- Black Camera: The New Series, 2014, v. 6, n. 1, p. 108, doi. 10.2979/blackcamera.6.1.108
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- Article