PROFESSIONAL NOTES AND RESEARCH RESOURCES.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 290, doi. 10.2979/blackcamera.5.1.290
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Works matching IS 15363155 AND DT 2013 AND VI 5 AND IP 1
Results: 26
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[Document] A Name Is More Than the Tyranny of Taste.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 237, doi. 10.2979/blackcamera.5.1.237
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3
NOTES ON CONTRIBUTORS.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 292, doi. 10.2979/blackcamera.5.1.292
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- Article
4
Close-Up Gallery: The Afrosurrealist Film Society.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 209, doi. 10.2979/blackcamera.5.1.209
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5
Commentary: Haunting in Akosua Adoma Owusu's Short Experimental Films.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 232, doi. 10.2979/blackcamera.5.1.232
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6
CALL FOR SUBMISSIONS.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 296, doi. 10.2979/blackcamera.5.1.296
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- Article
7
[Document] Afrosurreal Manifesto: Black Is the New black-a 21st-Century Manifesto.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 113, doi. 10.2979/blackcamera.5.1.113
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8
Collectors' Contributions to Archiving Early Black Films.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 274, doi. 10.2979/blackcamera.5.1.274
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9
Africultures Dossier: Report from FESPACO 2013: Renewal or Demise(?).
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 251, doi. 10.2979/blackcamera.5.1.251
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Madeline Anderson in Conversation: Pioneering an African American Documentary Tradition.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 72, doi. 10.2979/blackcamera.5.1.72
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11
'We proudly present ... the picture they didn't want you to see!': Black Film Advertisements, 1946-1960.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 5, doi. 10.2979/blackcamera.5.1.5
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- Article
12
Postcolonial Filmmaking in French-speaking Countries.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 3, doi. 10.2979/blackcamera.5.1.3
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- Article
13
Haiti: Witnessing as Revolutionary Praxis in Raoul Peck's Films.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 34, doi. 10.2979/blackcamera.5.1.34
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14
Meditation.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 94, doi. 10.2979/blackcamera.5.1.94
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15
Editor's Notes.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 1, doi. 10.2979/blackcamera.5.1.1
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- Article
16
Introduction: The No-Theory Chant of Afrosurrealism.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 95, doi. 10.2979/blackcamera.5.1.95
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17
After the End of the World: Sun Ra and the Grammar of Utopia.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 118, doi. 10.2979/blackcamera.5.1.118
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18
The Paraphernalia of Suffering: Chris Rock's Good Hair, Still Playing in the Dark.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 56, doi. 10.2979/blackcamera.5.1.56
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Filmmaker's Journal: resonanz.01 (2008-2013) notes / fragments on a case of sonic hauntology.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 220, doi. 10.2979/blackcamera.5.1.220
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20
Filmmaker's Journal: Notes on The Lincoln Film Conspiracy.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 226, doi. 10.2979/blackcamera.5.1.226
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21
Charlene Regester, African American Actresses: The Struggle for Visibility, 1900-1960.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 269, doi. 10.2979/blackcamera.5.1.269
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22
The Art of Storytelling in Kara Walker's Film and Video.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 140, doi. 10.2979/blackcamera.5.1.140
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'Just Another Word for Jazz': The Signifying Auteur in William Greaves's Symbiopsychotaxiplasm: Take One.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 164, doi. 10.2979/blackcamera.5.1.164
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Paula J. Masood, Making a Promised Land: Harlem in Twentieth-Century Photography and Film.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 267, doi. 10.2979/blackcamera.5.1.267
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Of the Ludic, the Blues, and the Counterfeit: An Interview with Kevin Jerome Everson, Experimental Filmmaker.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 184, doi. 10.2979/blackcamera.5.1.184
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News from the Black Film Center/Archive.
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- Black Camera: The New Series, 2013, v. 5, n. 1, p. 285, doi. 10.2979/blackcamera.5.1.285
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