PROFESSIONAL NOTES AND RESEARCH RESOURCES.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 261, doi. 10.2979/blackcamera.4.1.261
- Publication type:
- Article
Works matching IS 15363155 AND DT 2012 AND VI 4 AND IP 1
Results: 21
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Anne Anlin Cheng. Second Skin: Josephine Baker and the Modern Surface.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 252, doi. 10.2979/blackcamera.4.1.252
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- Article
3
The Color of Manhood: Reconsidering Pompey in John Ford's The Man Who Shot Liberty Valance.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 5, doi. 10.2979/blackcamera.4.1.5
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- Publication type:
- Article
4
The Precarious Politics of Precious: A Close Reading of a Cinematic Text.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 96, doi. 10.2979/blackcamera.4.1.96
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- Article
5
Close-Up Gallery: Precious.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 220, doi. 10.2979/blackcamera.4.1.220
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- Article
6
Commentary: A Collective Appetite: Reception and the White Gaze from Shange to Sapphire.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 215, doi. 10.2979/blackcamera.4.1.215
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- Article
7
Acting Out: Counterliteracy Beyond the Ree(a)l.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 181, doi. 10.2979/blackcamera.4.1.181
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- Article
8
Representing the Itsembabwoko.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 234, doi. 10.2979/blackcamera.4.1.234
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- Article
9
Editor's Notes.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 1, doi. 10.2979/blackcamera.4.1.1
- Publication type:
- Article
10
Tuning into Precious: The Black Women's Empowerment Adaptation and the Interruptions of the Absurd.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 74, doi. 10.2979/blackcamera.4.1.74
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- Article
11
CALL FOR SUBMISSIONS.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 272, doi. 10.2979/blackcamera.4.1.272
- Publication type:
- Article
12
Nollywood in the Context of Globalization.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 3, doi. 10.2979/blackcamera.4.1.3
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- Article
13
NOTES ON CONTRIBUTORS.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 269, doi. 10.2979/blackcamera.4.1.269
- Publication type:
- Article
14
Dialectical Mediation: The Play of Fantasy and Reality in Precious.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 117, doi. 10.2979/blackcamera.4.1.117
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- Publication type:
- Article
15
Archive Spotlight: The Image of Black Women in Film Advertising as Seen in the BFC/A's Hatch-Billops Collection.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 255, doi. 10.2979/blackcamera.4.1.255
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- Publication type:
- Article
16
The Counterliteracy of Postmelancholy.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 192, doi. 10.2979/blackcamera.4.1.192
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- Publication type:
- Article
17
''I Think I Was Rape'': Black Feminist Readings of Affect and Incest in Precious.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 139, doi. 10.2979/blackcamera.4.1.139
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- Article
18
Commentary: The Abject and the Grotesque: Broken Bodies, Broken Dreams, and the Lost Promise of Harlem.
- Published in:
- 2012
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- Publication type:
- Film/TV Criticism and Review
19
Push, Precious, and New Narratives of Slavery in Harlem.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 161, doi. 10.2979/blackcamera.4.1.161
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- Publication type:
- Article
20
''They Look Way Above Me, Put Me Out of Their Eyes'': Seeing the Subjects in Precious--An Introduction in Two Parts.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 53, doi. 10.2979/blackcamera.4.1.53
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- Publication type:
- Article
21
''You Talkin' Revolution, Sweetback'': On Sweet Sweetback's Baadasssss Song and Revolutionary Filmmaking.
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- Black Camera: The New Series, 2012, v. 4, n. 1, p. 28, doi. 10.2979/blackcamera.4.1.28
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- Article