Editor's Introduction Multiplying the Visual: Image and Object in the Nineteenth Century.Published in:Grey Room, 2012, v. 48, p. 6, doi. 10.1162/GREY_e_00077By:Bowyer, EmersonPublication type:Article
Manet and the Multiple.Published in:Grey Room, 2012, v. 48, p. 102, doi. 10.1162/GREY_a_00082By:Higonnet, AnnePublication type:Article
The Silent Partner: Agency and Absence in Julia Margaret Cameron's Collaborations.Published in:Grey Room, 2012, v. 48, p. 78, doi. 10.1162/GREY_a_00081By:Bear, JordanPublication type:Article
Nadar's Photographopolis.Published in:Grey Room, 2012, v. 48, p. 56, doi. 10.1162/GREY_a_00080By:Cadava, EduardoPublication type:Article
Kaleidoscopic Imagination.Published in:Grey Room, 2012, v. 48, p. 36, doi. 10.1162/GREY_a_00079By:Maillet, ArnaudPublication type:Article
Post-telegraphic Pictures: Asher B. Durand and the Nonconducting Image.Published in:2012By:Roberts, Jennifer L.Publication type:Essay