Mask and Masculinity: Culture, Modernity, and Gender Identity in the Mexican Lucha Libre films of El Santo.
- Published in:
- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 3, doi. 10.1386/shci.6.1.3/1
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- Article
Works matching IS 14780488 AND DT 2009 AND VI 6 AND IP 1
Results: 6
1
2
Regarding the pain of others: The art of realism in Icíar Bollaín's Te doy mis ojos.
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- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 31, doi. 10.1386/shci.6.1.31/1
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- Article
3
The saint and the general: Buñuel cocks a snook at authority on the Road to Santiago.
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- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 19, doi. 10.1386/shci.6.1.19/1
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- Article
4
Blood of an innocent: Montxo Armendáriz's Silencio Roto (2001) and Guillermo del Toro's El laberinto del fauno (2006).
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- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 45, doi. 10.1386/shci.6.1.45/1
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- Article
5
Reviews.
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- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 77, doi. 10.1386/shci.6.1.77/5
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- Article
6
Ventura Pons's Barcelona (un mapa): Trapped in the Crystal.
- Published in:
- Studies in Hispanic Cinemas, 2009, v. 6, n. 1, p. 65, doi. 10.1386/shci.6.1.65/1
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- Publication type:
- Article