Reconsidering matricide in Spanish Cinema of the transition: Furtivos [Poachers].
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- Studies in Hispanic Cinemas, 2008, v. 4, n. 1, p. 19, doi. 10.1386/shci.4.1.19_1
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Works matching IS 14780488 AND DT 2008 AND VI 4 AND IP 1
Results: 5
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Bridges between the divide: The female body in Y tu Mam tambin and Machuca.
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- Studies in Hispanic Cinemas, 2008, v. 4, n. 1, p. 47, doi. 10.1386/shci.4.1.47_1
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- Article
3
The walls fall down: Fantasy and power in El laberinto del fauno.
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- Studies in Hispanic Cinemas, 2008, v. 4, n. 1, p. 35, doi. 10.1386/shci.4.1.35_1
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4
Reviews.
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- Studies in Hispanic Cinemas, 2008, v. 4, n. 1, p. 63, doi. 10.1386/shci.4.1.63_5
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5
En el fondo te gusta: Titillation, desire, and the spectator's gaze in Alejandro Amenbar's Tesis.
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- Studies in Hispanic Cinemas, 2008, v. 4, n. 1, p. 3, doi. 10.1386/shci.4.1.3_1
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- Article