Bargaining with globalization: The cinema of Juan José Campanella.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 115, doi. 10.1386/ncin.16.2.115_1
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- Publication type:
- Article
Works matching IS 14742756 AND DT 2018 AND VI 16 AND IP 2
Results: 6
1
2
Developing a national cinema through co-productions: The Uruguayan case.
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- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 171, doi. 10.1386/ncin.16.2.171_1
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- Article
3
Constellated gatekeepers: Distribution as metaculture and distributors as a 'real' audience.
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- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 131, doi. 10.1386/ncin.16.2.131_1
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- Article
4
Co-production as co-option: Repackaging the national for the global market in Rio, I Love You and The 33.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 157, doi. 10.1386/ncin.16.2.157_1
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- Article
5
The unveiling of Pelo malo: The naked truth of co-producing poverty-porn.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 143, doi. 10.1386/ncin.16.2.143_1
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- Article
6
Global ghosts: Latin American directors' transnational histories.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2018, v. 16, n. 2, p. 101, doi. 10.1386/ncin.16.2.101_1
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- Article