Home and away: Nanni Moretti's The Last Customer and the ground zero of transnational identities.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 3, p. 187, doi. 10.1386/ncin.3.3.187/1
- By:
- Publication type:
- Article
Works matching IS 14742756 AND DT 2005 AND VI 3 AND IP 3
Results: 5
1
2
Safety last: risk, interactivity and video activism in contemporary Tokyo.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 3, p. 169, doi. 10.1386/ncin.3.3.169/1
- By:
- Publication type:
- Article
3
The haptic codes of Bollywood cinema in New York City.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 3, p. 143, doi. 10.1386/ncin.3.3.143/1
- By:
- Publication type:
- Article
4
Book Reviews.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
5
‘Slick grit’: auteurship versus mimicry in three films by Francisco Lombardi.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2005, v. 3, n. 3, p. 159, doi. 10.1386/ncin.3.3.159/1
- By:
- Publication type:
- Article