Cinéma-monde and subtitling.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 27, doi. 10.3828/jrs.2023.16
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- Article
Works matching IS 14733536 AND DT 2023 AND VI 23 AND IP 1
Results: 8
1
2
Regarding France and Lebanon: Transnational encounters, cinéma-monde, and Hadjithomas and Joreige's autofictional trauma cinema.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 5, doi. 10.3828/jrs.2023.15
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- Article
3
Introduction: Cinéma-monde and its afterlives.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 1, doi. 10.3828/jrs.2023.14
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- Article
4
Close encounters with the 'Other': Québékoisie, Avant les rues, and Le Dep.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 129, doi. 10.3828/jrs.2023.8
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- Article
5
The port-city, the migrant, and the (almost) inevitable dog: Morts vivants and authorial intervention in cinéma-monde.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 105, doi. 10.3828/jrs.2023.7
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- Article
6
Franco-Iranian cinema: Ruptures, cooperation, paradoxes.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 85, doi. 10.3828/jrs.2023.6
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- Article
7
Franco-Romanian cinema in late Communism: Sergiu Nicolaescu's François Villon -- Poetul vagabond (1987).
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 67, doi. 10.3828/jrs.2023.5
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- Article
8
Sign language and cinéma-monde in Marie Heurtin: On Deaf cinema and troubling the notion of French national language.
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- Journal of Romance Studies, 2023, v. 23, n. 1, p. 49, doi. 10.3828/jrs.2023.4
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- Article