Kracauer and Tarkovsky's Cinema of Redemptive Estrangement.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 46, doi. 10.3366/film.2025.0292
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Works matching IS 14664615 AND DT 2025 AND VI 29 AND IP 1
Results: 16
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Eternity Descending into Time: Badiou and the Cinematic Temporality of Love.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 221, doi. 10.3366/film.2025.0299
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- Article
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Speculative Transitions: Hegel, John Huston's Moby Dick and the Dissolve.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 199, doi. 10.3366/film.2025.0298
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4
Existential and Phenomenological Horror in Les Diaboliques.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 23, doi. 10.3366/film.2025.0291
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- Article
5
At the Edges of Sleep: Moving Images and Somnolent Spectators.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 288, doi. 10.3366/film.2025.0303
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- Article
6
What Is Film Good For? On the Values of Spectatorship.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 283, doi. 10.3366/film.2025.0302
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- Article
7
Dwelling in the Abyss: Society in Werner Herzog and Martin Heidegger.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 144, doi. 10.3366/film.2025.0296
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8
The Post-Screen through Virtual Reality, Holograms and Light Projections: Where Screen Boundaries Lie.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 296, doi. 10.3366/film.2025.0305
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- Article
9
Cinematic Mythmaking in Andrey Zvyagintsev's The Return and The Banishment.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 94, doi. 10.3366/film.2025.0294
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- Article
10
The Ethics of Refusal in Terrence Malick's A Hidden Life.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 72, doi. 10.3366/film.2025.0293
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- Article
11
Plastic Surgery: Under the Skin, Suture, Destructive Plasticity and Post-Cinematic Ontologies.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 264, doi. 10.3366/film.2025.0301
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12
The Action Mode: Mile 22 and the Tension of Hypermediated Embodiment.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 119, doi. 10.3366/film.2025.0295
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- Article
13
Self-Effacing Barbie: The Ideal, the Real and the Quest for Authentic Selfhood.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 1, doi. 10.3366/film.2025.0290
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14
From Ascetic Ideals to Honest Illusions: A Nietzschean Interpretation of Inception.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 244, doi. 10.3366/film.2025.0300
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- Article
15
The Dweller on the Threshold: Whiteness, the Family and the End of Classical Cinema.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 169, doi. 10.3366/film.2025.0297
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16
Cinema Illuminating Reality: Media Philosophy through Buddhism.
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- Film-Philosophy, 2025, v. 29, n. 1, p. 292, doi. 10.3366/film.2025.0304
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- Article