Walter Benjamin and the Aesthetics of Film.
- Published in:
- Film-Philosophy, 2024, v. 28, n. 2, p. 405, doi. 10.3366/film.2024.0276
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- Article
Works matching IS 14664615 AND DT 2024 AND VI 28 AND IP 2
Results: 14
1
2
Home Movies as Reliquaries of Memory: A Phenomenological Perspective.
- Published in:
- Film-Philosophy, 2024, v. 28, n. 2, p. 350, doi. 10.3366/film.2024.0272
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- Article
3
Iconoclasm in European Cinema: The Ethics and Aesthetics of Image Destruction.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 395, doi. 10.3366/film.2024.0274
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- Article
4
Nietzschean Themes in Béla Tarr’s The Turin Horse.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 226, doi. 10.3366/film.2024.0267
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- Publication type:
- Article
5
The Filter and the Viewer: On Audience Discretion in Film Noir.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 375, doi. 10.3366/film.2024.0273
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- Publication type:
- Article
6
Columbo: Paying Attention 24/7.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 400, doi. 10.3366/film.2024.0275
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- Article
7
Inauthenticity as a Disruption of Neoliberal Resilience Discourse in Brady Corbet’s Vox Lux.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 294, doi. 10.3366/film.2024.0270
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- Article
8
Anima(l) Moralia, or Righteous Anger: Agnieszka Holland’s Spoor.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 202, doi. 10.3366/film.2024.0266
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- Publication type:
- Article
9
Even the Sea is Broken: Return and Loss in Razan AlSalah’s Video Works.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 248, doi. 10.3366/film.2024.0268
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- Article
10
New Materialist Freedom in Chloé Zhao’s Nomadland.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 181, doi. 10.3366/film.2024.0265
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- Article
11
When the Wind Is Gently Rustling: Film and the Aesthetics of Natural Beauty.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 153, doi. 10.3366/film.2024.0264
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- Article
12
Blue Boys: Maurice Pialat, Nicolas Poussin and the Work of Art.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 322, doi. 10.3366/film.2024.0271
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- Article
13
Every Wholly Other: Postsecular Pluralism in Isabel Rocamora’s Faith.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 269, doi. 10.3366/film.2024.0269
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- Article
14
Limit Cinema: Transgression and the Nonhuman in Contemporary Global Film.
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- Film-Philosophy, 2024, v. 28, n. 2, p. 409, doi. 10.3366/film.2024.0277
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- Article