Works matching IS 14664615 AND DT 2023 AND VI 27 AND IP 1
Results: 11
Film and the imagined image.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 146, doi. 10.3366/film.2023.0223
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A Critical Companion to Terrence Malick.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 142, doi. 10.3366/film.2023.0222
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Planetary Cinema: Film, media and the earth.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 137, doi. 10.3366/film.2023.0221
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Film as Museum: One-of-a-Kind Objects in Berkun Oya's Bir Başkadır.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 115, doi. 10.3366/film.2023.0220
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White Material: Ivory tiles, white womanhood, and white supremacy in Jean-Marc Vallée's Sharp Objects.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 98, doi. 10.3366/film.2023.0219
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Rethinking Inside and Outside: The Door in Ernst Lubitsch's When I Was Dead and Charlie Chaplin's The Adventurer.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 79, doi. 10.3366/film.2023.0218
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Love Objects: Eros and the Materialistic Aesthetics of Ernst Lubitsch.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 64, doi. 10.3366/film.2023.0217
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Hitchcock's Undertexts: Objects and Language.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 50, doi. 10.3366/film.2023.0216
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Affective Assemblages of Material Culture: Qi Pao, Mahjong and Performance in Ang Lee's Lust, Caution.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 29, doi. 10.3366/film.2023.0215
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Poetic Objects: Bachelardian Reverie, Reverberation and Repose in Claire Denis' 35 Shots of Rum.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 7, doi. 10.3366/film.2023.0214
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Introduction to Special Issue: Film Objects.
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- Film-Philosophy, 2023, v. 27, n. 1, p. 1, doi. 10.3366/film.2023.0213
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- Article