Out of the Past: Lacan and Film Noir.
- Published in:
- Film-Philosophy, 2020, v. 24, n. 2, p. 254, doi. 10.3366/film.2020.0144
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- Article
Works matching IS 14664615 AND DT 2020 AND VI 24 AND IP 2
Results: 12
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The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 250, doi. 10.3366/film.2020.0143
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- Article
3
The Cinema of Things: Globalization and the Posthuman Object.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 245, doi. 10.3366/film.2020.0142
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- Article
4
Mythopoetic Cinema: On the Ruins of European Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 241, doi. 10.3366/film.2020.0141
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- Article
5
Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel's La ciénaga.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 222, doi. 10.3366/film.2020.0140
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- Article
6
Empty Time as Traumatic Duration: Towards a Cinematic Aevum.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 204, doi. 10.3366/film.2020.0139
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- Article
7
Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 185, doi. 10.3366/film.2020.0138
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- Article
8
Aesthetic Puzzlements: Jonas Mekas's Diary Films and Ludwig Wittgenstein.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 162, doi. 10.3366/film.2020.0137
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- Article
9
New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 140, doi. 10.3366/film.2020.0136
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- Article
10
Bad Faith in Film Spectatorship.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 122, doi. 10.3366/film.2020.0135
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- Article
11
Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 104, doi. 10.3366/film.2020.0134
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- Article
12
Love's Revival: Film Practice and the Art of Dying.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 83, doi. 10.3366/film.2020.0133
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- Article