Works matching IS 14664615 AND DT 2020 AND VI 24 AND IP 2
Results: 12
Out of the Past: Lacan and Film Noir.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 254, doi. 10.3366/film.2020.0144
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The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 250, doi. 10.3366/film.2020.0143
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The Cinema of Things: Globalization and the Posthuman Object.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 245, doi. 10.3366/film.2020.0142
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Mythopoetic Cinema: On the Ruins of European Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 241, doi. 10.3366/film.2020.0141
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Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel's La ciénaga.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 222, doi. 10.3366/film.2020.0140
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Empty Time as Traumatic Duration: Towards a Cinematic Aevum.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 204, doi. 10.3366/film.2020.0139
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Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 185, doi. 10.3366/film.2020.0138
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Aesthetic Puzzlements: Jonas Mekas's Diary Films and Ludwig Wittgenstein.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 162, doi. 10.3366/film.2020.0137
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New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 140, doi. 10.3366/film.2020.0136
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Bad Faith in Film Spectatorship.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 122, doi. 10.3366/film.2020.0135
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Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 104, doi. 10.3366/film.2020.0134
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Love's Revival: Film Practice and the Art of Dying.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 83, doi. 10.3366/film.2020.0133
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- Article