Becoming-Flashdrive: The Cinematic Intelligence of Lucy.
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- Film-Philosophy, 2020, n. 3, p. 384, doi. 10.3366/film.2020.0146
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- Article
Works matching IS 14664615 AND DT 2020
Results: 28
1
2
Queer Times.
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- Film-Philosophy, 2020, n. 3, p. 379, doi. 10.3366/film.2020.0153
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3
Stanley Cavell and Film: Scepticism and Self-Reliance at the Cinema.
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- Film-Philosophy, 2020, n. 3, p. 375, doi. 10.3366/film.2020.0152
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4
Stanley Cavell and the Magic of Hollywood Filmsz.
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- Film-Philosophy, 2020, n. 3, p. 371, doi. 10.3366/film.2020.0151
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5
European Cinema and Continental Philosophy: Film As Thought Experiment.
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- Film-Philosophy, 2020, n. 3, p. 366, doi. 10.3366/film.2020.0150
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6
A Cinema for the Ears: Imagining the Audio-Cinematic through Podcasting.
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- Film-Philosophy, 2020, n. 3, p. 341, doi. 10.3366/film.2020.0149
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7
The Scream Itself: Masochistic Jouissance and a Cinema of Speechlessness in La Grande Bouffe.
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- Film-Philosophy, 2020, n. 3, p. 321, doi. 10.3366/film.2020.0148
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8
On Pros and Cons and Bills and Gates: The Heist Film as Pleasure.
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- Film-Philosophy, 2020, n. 3, p. 304, doi. 10.3366/film.2020.0147
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9
The Politics of Humour in Kafkaesque Cinema: AWorld-Systems Approach.
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- Film-Philosophy, 2020, n. 3, p. 259, doi. 10.3366/film.2020.0145
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10
Out of the Past: Lacan and Film Noir.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 254, doi. 10.3366/film.2020.0144
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11
The Nasty Woman and the Neo Femme Fatale in Contemporary Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 250, doi. 10.3366/film.2020.0143
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12
The Cinema of Things: Globalization and the Posthuman Object.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 245, doi. 10.3366/film.2020.0142
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13
Mythopoetic Cinema: On the Ruins of European Cinema.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 241, doi. 10.3366/film.2020.0141
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14
Deadly Barks: Acousmaticity and Post-Animality in Lucrecia Martel's La ciénaga.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 222, doi. 10.3366/film.2020.0140
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15
Empty Time as Traumatic Duration: Towards a Cinematic Aevum.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 204, doi. 10.3366/film.2020.0139
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16
Given (No) Time: A Derridean Reading of Denis Villeneuve's Arrival.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 185, doi. 10.3366/film.2020.0138
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17
Aesthetic Puzzlements: Jonas Mekas's Diary Films and Ludwig Wittgenstein.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 162, doi. 10.3366/film.2020.0137
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18
New Sincerity and Frances Ha in Light of Sartre: A Proposal for an Existentialist Conceptual Framework.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 140, doi. 10.3366/film.2020.0136
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19
Bad Faith in Film Spectatorship.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 122, doi. 10.3366/film.2020.0135
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20
Ethics, Gender and Vulnerability in the Films of Mia Hansen-Løve.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 104, doi. 10.3366/film.2020.0134
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21
Love's Revival: Film Practice and the Art of Dying.
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- Film-Philosophy, 2020, v. 24, n. 2, p. 83, doi. 10.3366/film.2020.0133
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22
Inhospitable World: Cinema in the Time of the Anthropocene.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 78, doi. 10.3366/film.2020.0132
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23
Against Transmission: Media Philosophy and the Engineering of Time.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 75, doi. 10.3366/film.2020.0131
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24
Blanchot and the Moving Image: Fascination and Spectatorship.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 71, doi. 10.3366/film.2020.0130
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25
Bad Film Histories: Ethnography and the Early Archive.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 67, doi. 10.3366/film.2020.0129
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26
Taciturn Masculinities: Radical Quiet and Sounding Linguistic Difference in Valeska Grisebach's Western.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 46, doi. 10.3366/film.2020.0128
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27
Touch as Proximate Distance: Post-Phenomenological Ethics in the Cinema of Isabel Coixet.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 22, doi. 10.3366/film.2020.0127
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28
A Cinema of Boredom: Heidegger, Cinematic Time and Spectatorship.
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- Film-Philosophy, 2020, v. 24, n. 1, p. 1, doi. 10.3366/film.2020.0126
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