Werner Herzog: Filmmaker as Philosopher.
- Published in:
- Film-Philosophy, 2019, v. 23, n. 3, p. 403, doi. 10.3366/film.2019.0125
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- Article
Works matching IS 14664615 AND DT 2019 AND VI 23 AND IP 3
Results: 12
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Contemporary Political Cinema.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 399, doi. 10.3366/film.2019.0124
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- Article
3
Film and the Ethical Imagination.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 395, doi. 10.3366/film.2019.0123
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- Article
4
Acinemas: Lyotard's Philosophy of Film.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 391, doi. 10.3366/film.2019.0122
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- Article
5
Towards a Chthonic Spectatorship: Becoming-With the Aquatic in Evolution.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 372, doi. 10.3366/film.2019.0121
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- Article
6
Trust and Truth in Shutter Island.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 351, doi. 10.3366/film.2019.0120
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- Article
7
Deleuze's Three Syntheses Go to Hollywood: The Tripartite Cinema of Time Travel, Many Worlds and Altered States.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 324, doi. 10.3366/film.2019.0119
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- Article
8
Dispositif, Matter, Affect, and the Real: Four Fundamental Concepts of Lyotard's Film-Philosophy.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 303, doi. 10.3366/film.2019.0118
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- Article
9
The Third City: The Post Secular Space of the Dardenne Brothers' Seraing.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 264, doi. 10.3366/film.2019.0116
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- Article
10
Traumatic Horror Beyond the Edge: It Follows and Get Out.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 282, doi. 10.3366/film.2019.0117
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- Article
11
Divine Comedies: Post-Theology and Laughter in the Films of Bruno Dumont.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 247, doi. 10.3366/film.2019.0115
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- Article
12
Vertiginous Hauntings: The Ghosts of Vertigo.
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- Film-Philosophy, 2019, v. 23, n. 3, p. 227, doi. 10.3366/film.2019.0114
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- Article