The Empath and the Psychopath: Ethics, Imagination, and Intercorporeality in Bryan Fuller's Hannibal.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 410, doi. 10.3366/film.2017.0058
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- Article
Works matching IS 14664615 AND DT 2017 AND VI 21 AND IP 3
Results: 9
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The Look of Silence and the Problem of Monstrosity.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 392, doi. 10.3366/film.2017.0057
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- Article
3
A Vision of Blindness: Blade Runner and Moral Redemption.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 371, doi. 10.3366/film.2017.0056
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- Article
4
Cinema's Vital Histories: Wabi-Cinema, Forces and the Aesthetics of Resistance.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 349, doi. 10.3366/film.2017.0055
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- Article
5
Guests, Hosts, Strangers: Far From Men and Camus' Algerians.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 326, doi. 10.3366/film.2017.0054
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- Article
6
Visualizing the Anthropocene Dialectically: Jessica Woodworth and Peter Brosens' Eco-Crisis Trilogy.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 299, doi. 10.3366/film.2017.0053
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- Article
7
Experiencing Force Majeure.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 281, doi. 10.3366/film.2017.0052
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- Article
8
Murdoch and Margaret: Learning a Moral Life.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 265, doi. 10.3366/film.2017.0051
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- Article
9
SPECIAL ISSUE: CONTEMPORARY CINEMATIC ETHICS: Introduction.
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- Film-Philosophy, 2017, v. 21, n. 3, p. 259, doi. 10.3366/film.2017.0050
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- Article