Post-War Modernist Cinema and Philosophy: Confronting Negativity and Time.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
Works matching IS 14664615 AND DT 2016 AND VI 20 AND IP 2/3
Results: 18
1
2
Untimely Resnais: Muriel's Disarticulations of Justice.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 219, doi. 10.3366/film.2016.0012
- By:
- Publication type:
- Article
3
Paths of Glory and the Tyranny of the Greater Good.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 324, doi. 10.3366/film.2016.0018
- By:
- Publication type:
- Article
4
Red Kant: Aesthetics, Marxism and the Third Critique.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
5
Romantic Film-Philosophy and the Notion of Philosophical Film Criticism.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 198, doi. 10.3366/film.2016.0011
- By:
- Publication type:
- Article
6
Untimely Affects: Gilles Deleuze and An Ethics of Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
7
Psychoanalysis and Ethics in Documentary Film.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
8
Memories in Performance: Commemoration and the Commemorative Experience in Jia Zhangke's 24 City.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 265, doi. 10.3366/film.2016.0015
- By:
- Publication type:
- Article
9
Love in Motion: Erotic Relationships in Film.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
10
Phenomenology and the Future of Film: Rethinking Subjectivity beyond French Cinema.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
11
Change, Horizon, and Event in Ozu's Late Spring (1949).
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 283, doi. 10.3366/film.2016.0016
- By:
- Publication type:
- Article
12
David's Need for Mutual Recognition: A Social Personhood Defense of Steven Spielberg's A. I. Artificial Intelligence.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 339, doi. 10.3366/film.2016.0019
- By:
- Publication type:
- Article
13
The Modern Political Cinema: From Third Cinema to Contemporary Networked Biopolitics.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 303, doi. 10.3366/film.2016.0017
- By:
- Publication type:
- Article
14
Introduction: Cinema Is.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 195, doi. 10.3366/film.2016.0010
- By:
- Publication type:
- Article
15
'De jour en jour / From day to day': Documenting Times of Self-Mourning in Hervé Guibert's La Pudeur ou l'impudeur (1990).
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 250, doi. 10.3366/film.2016.0014
- By:
- Publication type:
- Article
16
The Equality of the Gaze: The Animal Stares Back in Chris Marker's Films.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 235, doi. 10.3366/film.2016.0013
- By:
- Publication type:
- Article
17
Where Film Meets Philosophy: Godard, Resnais, and Experiments in Cinematic Thinking.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
18
Philosophy of Mind and Body in Andrei Tarkovsky's Solaris.
- Published in:
- Film-Philosophy, 2016, v. 20, n. 2/3, p. 357, doi. 10.3366/film.2016.0020
- By:
- Publication type:
- Article