Simulation, Simulacra and Solaris.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 253
- By:
- Publication type:
- Article
Works matching IS 14664615 AND DT 2010 AND VI 14 AND IP 1
Results: 8
1
2
Logistics of Perception 2.0: Multiple Screen Aesthetics in Iraq War Films.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 232, doi. 10.3366/film.2010.0008
- By:
- Publication type:
- Article
3
Cannibalistic Capitalism and other American Delicacies: A Bataillean Taste of The Texas Chain Saw Massacre.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 202, doi. 10.3366/film.2010.0007
- By:
- Publication type:
- Article
4
Visual Alterity Abroad: Hegel through Birgit Hein's Baby I will Make You Sweat and La Moderna Poesia.
- Published in:
- 2010
- By:
- Publication type:
- Essay
5
Beyond Internalism and Externalism: Husserl and Sartre's Image Consciousness in Hitchcock and Buñuel.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 174, doi. 10.3366/film.2010.0006
- By:
- Publication type:
- Article
6
'It's the End of the World!': The Paradox of Event and Body in Hitchcock's The Birds.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 144, doi. 10.3366/film.2010.0005
- By:
- Publication type:
- Article
7
The Thought Specular: Kieslowski's White and Streitfeld's Female Perversions.
- Published in:
- 2010
- By:
- Publication type:
- Essay
8
Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales.
- Published in:
- Film-Philosophy, 2010, v. 14, n. 1, p. 1, doi. 10.3366/film.2010.0001
- By:
- Publication type:
- Article