'The power of Gluck, and of his interpreter' Pauline Viardot's Part in the British Gluck Revival.Published in:British Postgraduate Musicology, 2011, v. 11, p. 1By:Stier, MelaniePublication type:Article
Relational Aesthetics and the Western Canon of Increasingly Historical Works.Published in:British Postgraduate Musicology, 2011, v. 11, p. 1By:Redhead, LaurenPublication type:Article
The Greek Popular Modes.Published in:British Postgraduate Musicology, 2011, v. 11, p. 1By:Ordoulidis, NikosPublication type:Article
The 'Icons of Vesalius': Image and Music Superimposition in Peter Maxwell Davies's Vesalii Icones.Published in:British Postgraduate Musicology, 2011, v. 11, p. 1By:Fenn, NirmaliPublication type:Article
'Beauty Springeth Out of Naught': Interpreting the Church Music of Herbert Howells.Published in:British Postgraduate Musicology, 2011, v. 11, p. 1By:Clinch, JonathanPublication type:Article