РУКОВЕДАЊЕ У ПЕСМАМА ИЗ ПРИЗРЕНА ПЕТРА ЂОРЂЕВИЋА – АНАЛИТИЧКИ ПРЕГЛЕД.
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- Muzikologija, 2024, n. 37, p. 157, doi. 10.2298/MUZ2437157B
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Works matching IS 14509814 AND DT 2024
Results: 16
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ВОЈИСЛАВ ВУЧКОВИЋ КАО МУЗИЧКИ КРИТИЧАР.
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- Muzikologija, 2024, n. 37, p. 139, doi. 10.2298/MUZ2437139V
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MUSICAL ECHOES OF A TRAUMA: LISTENING TO PHANTASMS IN THE DARK FANTASY PAN’S LABYRINTH (2006).
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- Muzikologija, 2024, n. 37, p. 111, doi. 10.2298/MUZ2437111B
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4
THE TWO LIVES OF ALEKSANDR ANDREEVIČ ARHANGEL΄SKIJ AND ALEKSANDR VASIL΄EVIČ NIKOL΄SKIJ: THE FATES OF MASTERS OF RUSSIAN SACRED MUSIC IN A PIVOTAL ERA.
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- Muzikologija, 2024, n. 37, p. 89, doi. 10.2298/MUZ2437089Z
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5
GRIGORE NICA’S YOUTHFUL “SUBVERSIVE ACTIVITY” AND ITS EFFECTS.
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- Muzikologija, 2024, n. 37, p. 64, doi. 10.2298/MUZ2437063P
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- Article
6
1944, 1948 AND OTHER CULTURAL TRAUMAS. BENCE SZABOLCSI’S PATH FROM THE LABOUR CAMP TO ZHDANOVSHCHINA.
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- Muzikologija, 2024, n. 37, p. 47, doi. 10.2298/MUZ2437047D
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7
MIGRATION AND TRAUMA: A UKRAINIAN COMPOSER IN BRITAIN, 1946–1977.
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- Muzikologija, 2024, n. 37, p. 23, doi. 10.2298/MUZ2437023R
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8
Archival Sound Recordings of the Serbian Church Chant in the Institute of Musicology SASA: Sounds of Live Tradition as Sources for Research.
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- Muzikologija, 2024, n. 36, p. 193, doi. 10.2298/MUZ2436193M
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9
The Status of Catholic Liturgical Music During the Second Vatican Council.
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- Muzikologija, 2024, n. 36, p. 167, doi. 10.2298/MUZ2436167P
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10
The Songbirds as an Inspiration for Byzantine Kratēmata.
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- Muzikologija, 2024, n. 36, p. 147, doi. 10.2298/MUZ2436147A
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The Funeral Laments (pohrebné plače) of the Slovak Community in Serbia.
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- Muzikologija, 2024, n. 36, p. 123, doi. 10.2298/MUZ2436123L
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12
“Two Wild and Crazy Guys‚ and a Gal” – Unresolved Trauma and Balkan Stereotypes in the Music of Emir Kusturica’s Film Podzemlje (Underground).
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- Muzikologija, 2024, n. 36, p. 103, doi. 10.2298/MUZ2436103D
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13
War and Manifestations of Cultural Trauma in the Works of Cypriot Composer Solon Michaelides.
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- Muzikologija, 2024, n. 36, p. 85, doi. 10.2298/MUZ2436085P
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Emigrant Composers in the C.N.S.A.S. Archives. Case Study: The Unknown Story of Marius Constant’s Official Visit to Communist Romania.
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- Muzikologija, 2024, n. 36, p. 63, doi. 10.2298/MUZ2436063D
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15
Forgetting Аbout Тraumatic Past? On the Position of Film Music Composers in Post-WWII Germany.
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- Muzikologija, 2024, n. 36, p. 45, doi. 10.2298/MUZ2436045P
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16
Postmemory of Trauma as Transgenerational Еmpathy: Remembering the Santa Pain in Pontic Dialogical Singing.
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- Muzikologija, 2024, n. 36, p. 19, doi. 10.2298/MUZ2436019T
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