Присуство рачунара у југословенској популарној музици у другој половини осамдесетих година.
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- Muzikologija, 2022, n. 33, p. 173, doi. 10.2298/MUZ2233173M
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Works matching IS 14509814 AND DT 2022
Results: 23
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(Пре)испитивање односа музике и игре из перспективе учења и памћења кореографије народне игре.
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- Muzikologija, 2022, n. 33, p. 231, doi. 10.2298/MUZ2233231K
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Процес обликовања сценске народне музике кроз призму развоја кореографије народне игре.
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- Muzikologija, 2022, n. 33, p. 209, doi. 10.2298/MUZ2233209B
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О значењу кордофоних музичких инструмената у сценама Ругања Христу у српској средњовековној уметности.
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- Muzikologija, 2022, n. 33, p. 193, doi. 10.2298/MUZ2233193G
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5
Arti Musices Pannoniarum – композиторско стваралаштво на територији Војводине у друштвено-историјском и музичко-историјском контексту.
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- Muzikologija, 2022, n. 33, p. 153, doi. 10.2298/MUZ2233153S
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6
Under Political and Market Pressures: The Staging of Operetta in Interwar Belgrade.
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- Muzikologija, 2022, n. 33, p. 121, doi. 10.2298/MUZ2233121V
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AUDIOVISUAL MEDIA IN PUBLIC ETHNOMUSICOLOGY AND EDUCATION: A SARDINIAN EXPERIENCE.
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- Muzikologija, 2022, n. 33, p. 103, doi. 10.2298/MUZ2233103L
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APPLIED MUSICOLOGY: A “MANIFESTO”, AND A CASE STUDY OF A LOST CULTURAL HUB.
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- Muzikologija, 2022, n. 33, p. 87, doi. 10.2298/MUZ2233087M
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9
PRESERVING AND DISSEMINATION OF DIGITISED SOUND HERITAGE IN CONTEMPORARY TIMES: THE POTENTIAL OF BLOCKCHAIN TECHNOLOGY.
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- Muzikologija, 2022, n. 33, p. 73, doi. 10.2298/MUZ2233073S
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MANAGING KARADENIZ MUSIC ARCHIVE (KARMA): FOUNDATIONS, IMPROVEMENTS, AND CURRENT APPLICATIONS.
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- Muzikologija, 2022, n. 33, p. 53, doi. 10.2298/MUZ2233053A
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11
SOUND RECORDINGS AND KAREL ŠTREKELJ: THE INITIATOR OF A NEW APPROACH TO FOLK SONG RESEARCH IN SLOVENIA.
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- Muzikologija, 2022, n. 33, p. 39, doi. 10.2298/MUZ2233039K
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12
“Well… if the Professor Told You so… Who am I to Disagree?”. The Impact of Academia on Community Knowledge and a Strategy from the Archive.
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- Muzikologija, 2022, n. 33, p. 21, doi. 10.2298/MUZ2233021F
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13
APPLYING THE CONCEPT OF MUSICAL SOCIAL ENTRAINMENT IN RESEARCHING TAMBURA PRACTICE IN SERBIA.
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- Muzikologija, 2022, n. 32, p. 245, doi. 10.2298/MUZ2232245B
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14
LEARNING TRADITIONAL SINGING IN SERBIAN CLUBS IN VIENNA – ECONOMIC ASPECTS BETWEEN AMATEURISM AND PROFESSIONALISM.
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- Muzikologija, 2022, n. 32, p. 225, doi. 10.2298/MUZ2232225R
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15
REACTIONS TO THE FIRST MUSIC BIENNALE ZAGREB (1961) IN BELGRADIAN DAILY NEWSPAPERS.
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- Muzikologija, 2022, n. 32, p. 199, doi. 10.2298/MUZ2232199M
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16
TWO FACES OF MYSTIFICATION: THE REPRESENTATION OF THE HOLOCAUST IN ARNOLD SCHOENBERG'S A SURVIVOR FROM WARSAW AND STEVE REICH'S DIFFERENT TRAINS.
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- Muzikologija, 2022, n. 32, p. 183, doi. 10.2298/MUZ2232183M
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17
BETWEEN TRADITION AND SUBVERSION. TREATMENT OF FOLKLORISED MUSICAL REFERENCES IN THE EARLY FEATURE FILMS OF PEDRO ALMODÓVAR.
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- Muzikologija, 2022, n. 32, p. 161, doi. 10.2298/MUZ2232161B
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18
CONTEMPORARY LITHUANIAN MUSICAL FOLKLORE RELEASES: WIDENING THE EXPERIENCES.
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- Muzikologija, 2022, n. 32, p. 143, doi. 10.2298/MUZ2232143G
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19
WHEN THE CURTAIN FALLS: THE SUSTAINABILITY OF INCIDENTAL MUSIC.
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- Muzikologija, 2022, n. 32, p. 125, doi. 10.2298/MUZ2232125N
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20
THE INTRODUCTION OF COPYRIGHT IN THE EARLY RECORD INDUSTRY AND IMPLICATIONS OF AUTHORSHIP FOR POPULAR MUSIC IN CROATIA FROM 1929–1960S.
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- Muzikologija, 2022, n. 32, p. 109, doi. 10.2298/MUZ2232109V
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21
АСПЕКТИ ИНТЕРАКЦИЈЕ ИЗМЕЂУ РАДИЈА И ДИСКОГРАФСКЕ ИНДУСТРИЈЕ: ПРИМЕР HIS MASTER’S VOICE КОНЦЕРАТА НА ПРОГРАМУ РАДИО БЕОГРАДА.
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- Muzikologija, 2022, n. 32, p. 83, doi. 10.2298/MUZ2232083M
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GRAMOPHONE RECORDS OF THE SINGER MIJAT MIJATOVIĆ: FROM (RE)CONSTRUCTION OF DISCOGRAPHY TO THE STUDY OF RECORDED MUSIC.
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- Muzikologija, 2022, n. 32, p. 41, doi. 10.2298/MUZ2232041L
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23
FOLLOWING THE BLACK SPIRAL: OLD VOICES, NEW LIFE (TOWARDS THE HISTORY OF THE EARLY COMMERCIAL GRAMOPHONE RECORDS IN BULGARIA).
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- Muzikologija, 2022, n. 32, p. 19, doi. 10.2298/MUZ2232019D
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